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Stranger in his Homeland /

Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that cre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Asong, Linus T. (Linus Tongwo), 1947-
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [East Lansing, Mich] : Distributed in North America by Michigan State University Press, 2010
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Stranger in his Homeland /   |c Linus T. Asong. 
264 1 |a [East Lansing, Mich] :  |b Distributed in North America by Michigan State University Press,  |c 2010 
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264 4 |c ©2010 
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500 |a Originally published: Bamenda : Patron Publishing House, 2007. 
500 |a Issued as part of book collections on Project MUSE. 
506 |a Access restricted to authorized users and institutions. 
520 3 |a Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world. 
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945 |a Project MUSE - Archive African Studies Foundation