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Writing Blackness : John Edgar Wideman's Art and Experimentation /
One of the most critically acclaimed and prolific yet least-recognized contemporary writers, African American author John Edgar Wideman creates work that has a reputation for being difficult, even unfathomable. In Writing Blackness, James Coleman examines Wideman's work with the goal of making...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baton Rouge :
Louisiana State University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Coleman, James W. |q (James Wilmouth), |d 1946-2019. | |
| 245 | 1 | 0 | |a Writing Blackness : |b John Edgar Wideman's Art and Experimentation / |c James W. Coleman. |
| 264 | 1 | |a Baton Rouge : |b Louisiana State University Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (208 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Brothers and keepers, Fatheralong, Hoop roots, and The island: Martinique: the fictionalized auto/biographies -- A glance away, Hurry home, and the Lynchers: modernist experimentation and the early novels -- Hiding place, Damballah, and Sent for you yesterday: new dimensions of postmodern experimentation in the Homewood trilogy -- Reuben and Philadelphia fire: progressive experimentation after the Homewood trilogy -- The cattle killing, Two cities, and Fanon: extending experimental writing, making it clear, and extending it further. | |
| 520 | |a One of the most critically acclaimed and prolific yet least-recognized contemporary writers, African American author John Edgar Wideman creates work that has a reputation for being difficult, even unfathomable. In Writing Blackness, James Coleman examines Wideman's work with the goal of making sense of his often elusive imagery and dense style and broadening his readership. More so than for the vast majority of writers, Coleman shows, Wideman's life has affected his writing. Born in 1941, Wideman grew up in a Pittsburgh suburb where he attended an integrated high school, starred on the basketba. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Wideman, John Edgar. |2 fast |0 (OCoLC)fst00105694 |
| 600 | 1 | 0 | |a Wideman, John Edgar |x Criticism and interpretation. |
| 650 | 7 | |a African Americans in literature. |2 fast |0 (OCoLC)fst00799727 | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 6 | |a Noirs americains dans la litterature. | |
| 650 | 0 | |a African Americans in literature. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/16691/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||
| 945 | |a Project MUSE - Archive Literature Supplement | ||