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The Scary Mason-Dixon Line : African American Writers and the South /

New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In this book, the author a renowned literary scholar explores why black writers, whether born in Mississippi, New York,...

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Detalles Bibliográficos
Autor principal: Harris, Trudier
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baton Rouge : Louisiana State University Press, 2009.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Scary Mason-Dixon Line :   |b African American Writers and the South /   |c Trudier Harris. 
264 1 |a Baton Rouge :  |b Louisiana State University Press,  |c 2009. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2009. 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Southern literary studies 
505 0 |a Introduction : Southern black writers no matter where they are born -- Such a frightening musical form : James Baldwin's Blues for Mister Charlie (1964) -- Fear of manhood in the wake of systemic racism in Ernest J. Gaines's "Three men" (1968) -- The irresistible appeal of slavery : fear of losing the self in Octavia E. Butler's Kindred (1979) -- Owning the script, owning the self : transcendence of fear in Sherley Anne Williams's Dessa Rose (1986) -- 10,000 miles from Dixie and still in the South : fear of transplanted racism in Yusef Komunyakaa's Vietnam poetry : Dien cai dau (1988) -- Fear of family, Christianity, and the self : Southern black "othering" in Randall Kenan's A visitation of spirits (1989) -- A haunting diary and a slasher quilt : using dynamic folk communities to combat terror in Phyllis Alesia Perry's Stigmata (1998) -- Domesticating fear : Tayari Jones's mission in Leaving Atlanta (2002) -- The worst fear imaginable : black slave owners in Edward P. Jones's The known world (2003) -- No fear; or, autoerotic creativity : how Raymond Andrews pleasures himself in Baby Sweet's (1983). 
520 |a New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In this book, the author a renowned literary scholar explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. She explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. She considers native born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works she examines date from Baldwin's Blues for Mr. Charlie (1964) to Edward P. Jones's The Known World (2003). By including Komunyakaa's poems and Baldwin's play, as well as male and female authors, she demonstrates that the writers' preoccupation with the South cuts across lines of genre and gender. Whether their writings focus on slavery, migration from the South to the North, or violence on southern soil, and whether they celebrate the triumph of black southern heritage over repression or castigate the South for its treatment of blacks, these authors cannot escape the call of the South. Indeed, she asserts that creative engagement with the South represents a defining characteristic of African American writing. A singular work by one of the foremost literary scholars writing today, this book demonstrates how history and memory continue to figure powerfully in African American literary creativity. 
588 |a Description based on print version record. 
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650 7 |a Literatur  |2 gnd 
650 7 |a Slavery  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst01120484 
650 7 |a Racism  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst01086630 
650 7 |a Literature and history.  |2 fast  |0 (OCoLC)fst01000077 
650 7 |a Literature.  |2 fast  |0 (OCoLC)fst00999953 
650 7 |a Fear in literature.  |2 fast  |0 (OCoLC)fst00922059 
650 7 |a American literature  |x African American authors.  |2 fast  |0 (OCoLC)fst00807114 
650 7 |a African Americans  |x Race identity.  |2 fast  |0 (OCoLC)fst00799666 
650 7 |a African Americans  |x Psychology.  |2 fast  |0 (OCoLC)fst00799664 
650 7 |a African Americans in literature.  |2 fast  |0 (OCoLC)fst00799727 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Litterature et histoire  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Noirs americains  |x Psychologie. 
650 6 |a Noirs americains  |x Identite ethnique. 
650 6 |a Racisme  |x Aspect psychologique. 
650 6 |a Peur dans la litterature. 
650 6 |a Noirs americains dans la litterature. 
650 0 |a Literature and history  |z United States  |x History  |y 20th century. 
650 0 |a African Americans  |x Psychology. 
650 0 |a African Americans  |x Race identity. 
650 0 |a Racism  |x Psychological aspects. 
650 0 |a Slavery  |x Psychological aspects. 
650 0 |a Fear in literature. 
650 0 |a African Americans in literature. 
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651 7 |a USA  |2 gnd 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a Southern States.  |2 fast  |0 (OCoLC)fst01244550 
651 6 |a États-Unis (Sud)  |x Dans la litterature. 
651 0 |a Southern States  |x In literature. 
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945 |a Project MUSE - Archive Literature Supplement 
945 |a Project MUSE - Archive American Studies Foundation