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Resisting History : Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty

In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged. Here Barbara Ladd offers powerful new readings of three southern...

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Detalles Bibliográficos
Autor principal: Ladd, Barbara
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baton Rouge : LSU Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Resisting History :   |b Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty 
264 1 |a Baton Rouge :  |b LSU Press,  |c 2012. 
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264 4 |c ©2012. 
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490 0 |a Southern Literary Studies 
505 0 |a Cover; Contents; Acknowledgments; Introduction; 1. The Dynamo and the Virgin: Women, Modernity, and the Sublime in As I Lay Dying; 2. Putting the Colonel In: Eudora Welty's Feminist Poetics; 3. "The Anonymity of a Murmur": History, Memory, and Resistance in Faulkner's A Fable; 4. "Tell Them Two Ti Blancs are Coming": Zora Neale Hurston's "I"'s in Tell My Horse; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y. 
520 |a In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged. Here Barbara Ladd offers powerful new readings of three southern writers who reimagined authorship between World War I and the mid-1950s. Resisting History challenges ideas about history as a coherent narrative and about the development of U.S. modernism and points the way to new histories of literary and cultural modernisms in which the work of women shares cen. 
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