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Music and the Politics of Negation /
Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to distur...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Indianapolis :
Indiana University Press,
2012.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Currie, James R., |e author. | |
| 245 | 1 | 0 | |a Music and the Politics of Negation / |c James R. Currie. |
| 264 | 1 | |a Indianapolis : |b Indiana University Press, |c 2012. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©2012. | |
| 300 | |a 1 online resource (248 pages). | ||
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| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Musical meaning and interpretation | |
| 505 | 0 | |a Veils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said). | |
| 520 | |a Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Politik |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Postmoderne |2 gnd | |
| 650 | 7 | |a Musikwissenschaft |2 gnd | |
| 650 | 7 | |a Postmodernism. |2 fast |0 (OCoLC)fst01073164 | |
| 650 | 7 | |a Musicology. |2 fast |0 (OCoLC)fst01030893 | |
| 650 | 7 | |a Music |x Political aspects. |2 fast |0 (OCoLC)fst01030414 | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x General. |2 bisacsh | |
| 650 | 7 | |a musicology. |2 aat | |
| 650 | 6 | |a Musicologie. | |
| 650 | 6 | |a Postmodernisme. | |
| 650 | 6 | |a Musique |x Aspect politique. | |
| 650 | 0 | |a Musicology. | |
| 650 | 0 | |a Postmodernism. | |
| 650 | 0 | |a Music |x Political aspects. | |
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| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 Complete | ||
| 945 | |a Project MUSE - 2012 Film, Theater and Performing Arts | ||