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The Latin American Literary Boom and U.S. Nationalism during the Cold War /

During the 1960s and 1970s, when writers such as Julio Cortazar, Carlos Fuentes, Gabriel Garcia Marquez, and Mario Vargas Llosa entered the international literary mainstream, Cold War cultural politics played an active role in disseminating their work in the United States. Deborah Cohn documents how...

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Detalles Bibliográficos
Autor principal: Cohn, Deborah N., 1967-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Nashville : Vanderbilt University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Latin American Literary Boom and U.S. Nationalism during the Cold War /   |c Deborah Cohn. 
264 1 |a Nashville :  |b Vanderbilt University Press,  |c 2012. 
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264 4 |c ©2012. 
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505 0 |a "Catch-28" : the McCarran-Walter immigration blacklist and Latin American writers -- PEN and the sword : Latin American writers and the 1966 Pen Club Congress -- Latin America and its literature in the U.S. university after the Cuban Revolution -- The "cold war struggle" for Latin American literature in the Center for Inter-American Relations. 
520 |a During the 1960s and 1970s, when writers such as Julio Cortazar, Carlos Fuentes, Gabriel Garcia Marquez, and Mario Vargas Llosa entered the international literary mainstream, Cold War cultural politics played an active role in disseminating their work in the United States. Deborah Cohn documents how U.S. universities, book and journal publishers, philanthropic organizations, cultural centers, and authors coordinated their efforts to bring Latin American literature to a U.S. reading public during this period, when interest in the region was heightened by the Cuban Revolution. She also traces the connections between the endeavors of private organizations and official foreign policy goals. The high level of interest in Latin America paradoxically led the U.S. government to restrict these authors' physical presence in the United States through the McCarran-Walter Act's immigration blacklist, even as cultural organizations cultivated the exchange of ideas with writers and sought to market translations of their work for the U.S. market. 
588 |a Description based on print version record. 
610 2 7 |a PEN (Organization)  |2 fast  |0 (OCoLC)fst00522220 
610 2 7 |a Center for Inter-American Relations.  |2 fast  |0 (OCoLC)fst00529541 
610 2 4 |a Center for Inter-American Relations. 
610 2 0 |a Center for Inter-American Relations  |x Influence. 
610 2 0 |a PEN (Organization)  |x Influence. 
650 7 |a Spanish American literature  |x Translations into English.  |2 fast  |0 (OCoLC)fst01128214 
650 7 |a Spanish American literature  |x Study and teaching (Higher)  |2 fast  |0 (OCoLC)fst01128212 
650 7 |a Spanish American literature  |x Appreciation.  |2 fast  |0 (OCoLC)fst01128196 
650 7 |a International relations.  |2 fast  |0 (OCoLC)fst00977053 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00972484 
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650 0 |a Spanish American literature  |x Study and teaching (Higher)  |z United States. 
650 0 |a Spanish American literature  |x Translations into English  |x History and criticism. 
650 0 |a Spanish American literature  |y 20th century  |x Appreciation  |z United States. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a Latin America.  |2 fast  |0 (OCoLC)fst01245945 
651 0 |a United States  |x Relations  |z Latin America. 
651 0 |a Latin America  |x Relations  |z United States. 
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945 |a Project MUSE - 2012 Literature 
945 |a Project MUSE - 2012 Latin American and Caribbean Studies