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Who Owns Culture? : Appropriation and Authenticity in American Law
It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were or...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Piscataway :
Rutgers University Press,
2005.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |z 9780813536064 | ||
| 035 | |a (OCoLC)64187782 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Scafidi, Susan. | |
| 245 | 1 | 0 | |a Who Owns Culture? : |b Appropriation and Authenticity in American Law |
| 264 | 1 | |a Piscataway : |b Rutgers University Press, |c 2005. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2005. | |
| 300 | |a 1 online resource (224 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The commodification of culture -- Ownership of intagible property -- Cultural products as accidental property -- Categorizing cultural products -- Claiming community ownership via authenticity -- Family feuds -- Outsider appropriation -- Misappropriation and the destruction of value(s) -- Permissive appropriation -- Reverse appropriation of intellectual properties and celebrity personae -- Civic role of cultural products -- An emerging legal framework. | |
| 520 | |a It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them?While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Material culture. |2 fast |0 (OCoLC)fst01011739 | |
| 650 | 7 | |a Intellectual property. |2 fast |0 (OCoLC)fst00975774 | |
| 650 | 7 | |a Indigenous peoples |x Legal status, laws, etc. |2 fast |0 (OCoLC)fst00970247 | |
| 650 | 7 | |a Folklore. |2 fast |0 (OCoLC)fst00930306 | |
| 650 | 7 | |a Culture and law. |2 fast |0 (OCoLC)fst00885095 | |
| 650 | 6 | |a Folklore |z États-Unis. | |
| 650 | 6 | |a Culture materielle |z États-Unis. | |
| 650 | 6 | |a Propriete intellectuelle |z États-Unis. | |
| 650 | 0 | |a Indigenous peoples |x Legal status, laws, etc. |z United States. | |
| 650 | 0 | |a Culture and law. | |
| 650 | 0 | |a Folklore |z United States. | |
| 650 | 0 | |a Material culture |z United States. | |
| 650 | 0 | |a Intellectual property |z United States. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/16073/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||
| 945 | |a Project MUSE - Archive Political Science and Policy Studies Supplement | ||