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Yellowface : Creating the Chinese in American Popular Music and Performance, 1850s-1920s /

Music and performance provide a unique window into the ways that cultural information is circulated and perceptions are constructed. Because they both require listening, are inherently ephemeral, and most often involve collaboration between disparate groups, they inform cultural perceptions differen...

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Detalles Bibliográficos
Autor principal: Moon, Krystyn R., 1974-
Autor Corporativo: ProQuest (Firm)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, N.J. : Rutgers University Press, 2005.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Moon, Krystyn R.,  |d 1974- 
245 1 0 |a Yellowface :   |b Creating the Chinese in American Popular Music and Performance, 1850s-1920s /   |c Krystyn R. Moon. 
264 1 |a New Brunswick, N.J. :  |b Rutgers University Press,  |c 2005. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2005. 
300 |a 1 online resource (240 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Imagining China: early nineteenth-century writings and musical productions -- Towards exclusion: American popular songs on Chinese immigration, 1850-1882 -- Chinese and Chinese immigrant performers on the American stage, 1830s-1920s -- The sounds of Chinese otherness and American popular music, 1880s-1920s -- From aversion to fascination: new lyrics and voices, 1880s-1920s -- The rise of Chinese and Chinese American vaudevillians, 1900s-1920s. 
520 |a Music and performance provide a unique window into the ways that cultural information is circulated and perceptions are constructed. Because they both require listening, are inherently ephemeral, and most often involve collaboration between disparate groups, they inform cultural perceptions differently from literary or visual art forms, which tend to be more tangible and stable. In Yellowface, Krystyn R. Moon explores the contributions of writers, performers, producers, and consumers in order to demonstrate how popular mus. 
588 |a Description based on print version record. 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 6 |a Americains d'origine chinoise  |x Musique  |x Histoire et critique. 
650 6 |a Musique populaire  |z États-Unis  |x Histoire et critique. 
650 0 |a Chinese Americans  |x Music  |x History and criticism. 
650 0 |a Popular music  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a ProQuest (Firm) 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/16059/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement 
945 |a Project MUSE - Archive History Supplement 
945 |a Project MUSE - Archive American Studies Foundation