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The Collapse of the Conventional : German Film and Its Politics at the Turn of the Twenty-First Century /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Detroit :
Wayne State University Press,
2010.
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| Colección: | Contemporary approaches to film and television series.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Jaimey Fisher and Brad Prager
- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski
- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick
- More war stories: Stalingrad and downfall / Elisabeth Krimmer
- Neofeminist mütterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson
- Dresden: the return of history as soap / Wilfried Wilms
- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke
- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher
- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson
- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson
- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel
- Christoph Hochhäusler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp
- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook
- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel
- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager.