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050419s2006 nju o 00 0 eng d |
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|a 9780813541075
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|z 0813541077
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|z 9780813536941
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|a (OCoLC)77564482
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|a MdBmJHUP
|c MdBmJHUP
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|a Collins, Lisa Gail.
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|a New Thoughts on the Black Arts Movement /
|c edited by Lisa Gail Collins and Margo Natalie Crawford.
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|a New Brunswick, N.J. :
|b Rutgers University Press,
|c 2006.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©2006.
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|a 1 online resource (406 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Acknowledgments; Introduction: Power to the People!: The Art of Black Power; Part I: Cities and Sites; Chapter 1: Black Light on the Wall of Respect: The Chicago Black Arts Movement; Chapter 2: Black West, Thoughts on Art in Los Angeles; Chapter 3: The Black Arts Movement and Historically Black Colleges and Universities; Chapter 4: A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971; Chapter 5: Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno; Part II: Genres and Ideologies.
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|a Chapter 6: A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural NationalismChapter 7: Natural Black Beauty and Black Drag; Chapter 8: Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement; Chapter 9: Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography; Chapter 10: Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement; Chapter 11: "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement.
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|a Part III: Predecessors, Peers, and LegaciesChapter 12: A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement; Chapter 13: The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements; Chpater 14: Prison Writers and the Black Arts Movement; Chapter 15: "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement; Chapter 16: Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che; Chapter 17: Black Arts to Def Jam: Performing Black "Spirit Work" across Generations.
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|a Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection"Notes on Contributors; Index.
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|a During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition.
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|a English.
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|a Description based on print version record.
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650 |
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|a Black Arts movement.
|2 fast
|0 (OCoLC)fst00833583
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650 |
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7 |
|a Arts
|x Political aspects.
|2 fast
|0 (OCoLC)fst00817791
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650 |
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7 |
|a African American arts.
|2 fast
|0 (OCoLC)fst00799021
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650 |
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|a Arts
|x Aspect politique
|z États-Unis.
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650 |
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|a Arts noirs americains
|y 20e siecle.
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650 |
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|a Black Arts (Mouvement artistique)
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650 |
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0 |
|a Arts
|x Political aspects
|z United States.
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650 |
|
0 |
|a African American arts
|y 20th century.
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650 |
|
0 |
|a Black Arts movement.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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|a Electronic books.
|2 local
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1 |
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|a Crawford, Margo Natalie,
|d 1969-
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|a Collins, Lisa Gail.
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|a ProQuest (Firm)
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/15925/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Global Cultural Studies Supplement
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945 |
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|a Project MUSE - Archive Complete Supplement
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