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030121s2002 mdu o 00 0 eng d |
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|a 9780801876752
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|z 9780801868085
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|a (OCoLC)51481135
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|a MdBmJHUP
|c MdBmJHUP
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|a Reynolds, Bryan
|q (Bryan Randolph)
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|a Becoming Criminal :
|b Transversal Performance and Cultural Dissidence in Early Modern England /
|c Bryan Reynolds.
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|a Baltimore :
|b Johns Hopkins University Press,
|c 2002.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2012
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|c ©2002.
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|a 1 online resource (240 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Contents -- Preface -- Acknowledgments -- CHAPTER ONE State Power, Cultural Dissidence, Transversal Power -- CHAPTER TWO Becoming Gypsy, Criminal Culture, Becoming Transversal -- CHAPTER THREE Communal Departure, Criminal Language, Dissident Consolidation -- CHAPTER FOUR Social Spatialization, Criminal Praxis, Transversal Movement -- CHAPTER FIVE Antitheatrical Discourse, Transversal Theater, Criminal Intervention -- Notes -- Bibliography -- Index
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|a "In this book Bryan Reynolds argues that early modern England experienced a sociocultural phenomenon, unprecedented in English history, which has been largely overlooked by historians and critics. Beginning in the 1520s, a distinct "criminal culture" of beggars, vagabonds, confidence tricksters, prostitutes and gypsies emerged and flourished. This community defined itself through its criminal conduct and dissident thought and was, in turn, officially defined by and against the dominant conceptions of English cultural normality." "Examining plays, popular pamphlets, laws, poems, and scholarly work from the period, Reynolds demonstrates that this criminal culture, though diverse, was united by its own ideology, language and aesthetic. Using his transversal theory, he shows how the enduring presence of this criminal culture markedly influenced the mainstream culture's aesthetic sensibilities, socioeconomic organization, and systems of belief. He maps the effects of the public theater's transformative force of transversality, such as through the criminality represented by Shakespeare, Jonson, Middleton, and Dekker, on both Elizabethan and Jacobean society and the scholarship devoted to it."--Jacket
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|a English.
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|a Description based on print version record.
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|a Schurken.
|2 gtt
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|a Toneelstukken.
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|a Literatuur.
|2 gtt
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|a Social conditions
|2 fast
|0 (OCoLC)fst01919811
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|a Romanies in literature.
|2 fast
|0 (OCoLC)fst01100111
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|a Literature and society.
|2 fast
|0 (OCoLC)fst01000096
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|a English literature
|x Early modern.
|2 fast
|0 (OCoLC)fst01710960
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|a Criminals in literature.
|2 fast
|0 (OCoLC)fst00883558
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|a Crime in literature.
|2 fast
|0 (OCoLC)fst00883038
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|a Crime.
|2 fast
|0 (OCoLC)fst00882984
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Criminalite dans la litterature.
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|a Tsiganes dans la litterature.
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|a Litterature et societe
|z Angleterre
|x Histoire
|y 17e siecle.
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|a Litterature et societe
|z Angleterre
|x Histoire
|y 16e siecle.
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|a Criminels dans la litterature.
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|a Crime in literature.
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|a Romanies in literature.
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|a Crime
|z England
|x History
|y 17th century.
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|a Crime
|z England
|x History
|y 16th century.
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|a Literature and society
|z England
|x History
|y 17th century.
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|a Literature and society
|z England
|x History
|y 16th century.
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|a Criminals in literature.
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|a English literature
|y Early modern, 1500-1700
|x History and criticism.
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|a England.
|2 fast
|0 (OCoLC)fst01219920
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|a Angleterre
|x Conditions sociales
|y 17e siecle.
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|a Angleterre
|x Conditions sociales
|y 16e siecle.
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|a England
|x Social conditions
|y 17th century.
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|a England
|x Social conditions
|y 16th century.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/15150/
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|a Project MUSE - Custom Collection
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|a Project MUSE - Archive Complete Foundation
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|a Project MUSE - Archive Literature Foundation
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