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Expressive Intersections in Brahms : Essays in Analysis and Meaning /

Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Rober...

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Detalles Bibliográficos
Otros Autores: Smith, Peter Howard (Editor ), Platt, Heather Anne (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Expressive Intersections in Brahms :   |b Essays in Analysis and Meaning /   |c [edited by] Heather Platt and Peter H. Smith. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (316 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Musical meaning and interpretation 
505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Part 1; 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms; 2. The Learned Self: Artifice in Brahms's Late Intermezzi; Part 2; 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy; 4. Brahms's Mädchenlieder and Their Cultural Context; 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen; Part 3; 6. Sequence as Expressive Culmination in the Chamber Music of Brahms; 7. "Phantasia subitanea": Temporal Caprice in Brahms's op. 116, nos. 1 and 78. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D minor, op. 15; 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms; Selected Bibliography; List of Contributors; Index of Brahms's Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. 
520 |a Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual r. 
588 |a Description based on print version record. 
600 1 7 |a Brahms, Johannes,  |d 1833-1897.  |2 fast  |0 (OCoLC)fst00039029 
600 1 0 |a Brahms, Johannes,  |d 1833-1897  |x Criticism and interpretation. 
650 7 |a MUSIC  |x Individual Composer & Musician.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Composers & Musicians.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 4 |a Aufsatzsammlung. 
655 7 |a Electronic books.   |2 local 
700 1 |a Smith, Peter Howard,  |e editor. 
700 1 |a Platt, Heather Anne,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/15149/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Film, Theater and Performing Arts