|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_15149 |
003 |
MdBmJHUP |
005 |
20230905041643.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
120611s2012 inu o 00 0 eng d |
010 |
|
|
|z 2011031951
|
020 |
|
|
|a 9780253005250
|
020 |
|
|
|z 9780253357052
|
035 |
|
|
|a (OCoLC)795124310
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
245 |
0 |
0 |
|a Expressive Intersections in Brahms :
|b Essays in Analysis and Meaning /
|c [edited by] Heather Platt and Peter H. Smith.
|
264 |
|
1 |
|a Bloomington :
|b Indiana University Press,
|c 2012.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2012
|
264 |
|
4 |
|c ©2012.
|
300 |
|
|
|a 1 online resource (316 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Musical meaning and interpretation
|
505 |
0 |
|
|a Cover; Title; Copyright; Contents; Acknowledgments; Part 1; 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms; 2. The Learned Self: Artifice in Brahms's Late Intermezzi; Part 2; 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy; 4. Brahms's Mädchenlieder and Their Cultural Context; 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen; Part 3; 6. Sequence as Expressive Culmination in the Chamber Music of Brahms; 7. "Phantasia subitanea": Temporal Caprice in Brahms's op. 116, nos. 1 and 78. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D minor, op. 15; 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms; Selected Bibliography; List of Contributors; Index of Brahms's Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.
|
520 |
|
|
|a Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual r.
|
588 |
|
|
|a Description based on print version record.
|
600 |
1 |
7 |
|a Brahms, Johannes,
|d 1833-1897.
|2 fast
|0 (OCoLC)fst00039029
|
600 |
1 |
0 |
|a Brahms, Johannes,
|d 1833-1897
|x Criticism and interpretation.
|
650 |
|
7 |
|a MUSIC
|x Individual Composer & Musician.
|2 bisacsh
|
650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Composers & Musicians.
|2 bisacsh
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
4 |
|a Aufsatzsammlung.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
|
|a Smith, Peter Howard,
|e editor.
|
700 |
1 |
|
|a Platt, Heather Anne,
|e editor.
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/15149/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2012 Complete
|
945 |
|
|
|a Project MUSE - 2012 Film, Theater and Performing Arts
|