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Religious Imaginaries : The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter /

"Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. In doing so, this new study rethinks several assumptions in the...

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Detalles Bibliográficos
Autor principal: Dieleman, Karen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : Ohio University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dieleman, Karen. 
245 1 0 |a Religious Imaginaries :   |b The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter /   |c Karen Dieleman. 
264 1 |a Athens :  |b Ohio University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (320 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Introduction: liturgy and the religious imaginary -- Truth and love anchored in the word: Elizabeth Barrett Browning's religious imaginary -- "Truth in relation, perceived in emotion": Elizabeth Barrett Browning's religious poetics -- "The beloved Anglican Church of my baptism": Christina Rossetti's religious imaginary -- Manifestation, aesthetics, and community in Christina Rossetti's verses -- "The one divine influence at work in the world": Adelaide Procter's religious imaginary -- Religious-poetic strategies in Adelaide Procter's lyrics, legends, and chaplets -- Conclusion: the intricacy of the subject. 
520 |a "Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. In doing so, this new study rethinks several assumptions in the field: that Victorian women's faith commitments tend to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women's religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalism's high regard for verbal proclamation, Anglicanism and Anglo-Catholicism's valuation of manifestation, and revivalist Roman Catholicism's recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these women's religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dieleman's readings highlight each poet's innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poet's denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshipper's formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced."--Project Muse. 
588 |a Description based on print version record. 
600 1 7 |a Rossetti, Christina Georgina,  |d 1830-1894  |2 fast  |0 (OCoLC)fst00032870 
600 1 7 |a Procter, Adelaide Anne,  |d 1825-1864  |2 fast  |0 (OCoLC)fst00345135 
600 1 7 |a Browning, Elizabeth Barrett,  |d 1806-1861  |2 fast  |0 (OCoLC)fst00037867 
600 1 0 |a Browning, Elizabeth Barrett,  |d 1806-1861  |x Religion. 
600 1 0 |a Rossetti, Christina Georgina,  |d 1830-1894  |x Religion. 
600 1 0 |a Procter, Adelaide Anne,  |d 1825-1864  |x Religion. 
650 7 |a Religious poetry, English  |2 fast  |0 (OCoLC)fst01094226 
650 7 |a Religion  |2 fast  |0 (OCoLC)fst01093763 
650 7 |a English poetry  |x Women authors  |2 fast  |0 (OCoLC)fst00912353 
650 7 |a English poetry  |2 fast  |0 (OCoLC)fst00912278 
650 7 |a Christian poetry, English  |2 fast  |0 (OCoLC)fst00859405 
650 7 |a RELIGION  |x Christianity  |x General.  |2 bisacsh 
650 7 |a REFERENCE  |x Writing Skills.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Rhetoric.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Composition & Creative Writing.  |2 bisacsh 
650 6 |a Poesie religieuse anglaise  |x Histoire et critique. 
650 6 |a Poesie chretienne anglaise  |x Histoire et critique. 
650 6 |a Poesie anglaise  |y 19e siecle  |x Histoire et critique. 
650 0 |a Religious poetry, English  |x History and criticism. 
650 0 |a Christian poetry, English  |x History and criticism. 
650 0 |a Christian poetry, English  |x Authorship. 
650 0 |a English poetry  |x Women authors  |x History and criticism. 
650 0 |a English poetry  |y 19th century  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/15146/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Literature