Hearing the Hurt : Rhetoric, Aesthetics, and Politics of the New Negro Movement /

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Hearing the Hurt is an examination of how the New Negro movement, also k.

Detalles Bibliográficos
Autor principal: Watts, Eric King, 1963-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : University of Alabama Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Harlem Renaissance.
American literature > African American authors.
African Americans > Race identity.
African Americans > Politics and government.
African Americans > Intellectual life.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
Noirs americains > Politique et gouvernement > 20e siecle.
Noirs americains > Identite ethnique > Histoire > 20e siecle.
Noirs americains > Vie intellectuelle > 20e siecle.
African Americans > Politics and government > 20th century.
American literature > African American authors > History and criticism.
African Americans > Race identity > History > 20th century.
African Americans > Intellectual life > 20th century.
Criticism, interpretation, etc.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgments; Introduction; 1. "Hearing the Hurt"; 2. "Of Beauty and Death": W.E.B. Du Bois's Darkwater; 3. "The Last and Best Gift of Africa": Du Bois, Dewey, and a Black Public; 4. "Negro Youth Speaks": Alain Locke and The New Negro; 5. "A Lampblacked Anglo-Saxon": George Schuyler and Langston Hughes in the Nation; 6. "All Art Is Propaganda": The Politics of a New Negro Aesthetics; 7. "Paul's Committed Suicide": A Utopist Tragedy in Wallace Thurman's Infants of the Spring; 8. "You Mean You Don't Want Me, 'Rene?": Anxiety, Desire, and Madness in Nella Larsen's Passing.

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