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111219s2012 inu o 00 0 eng d |
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|a 9780253005410
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|z 9780253357120
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|z 9780253223654
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|a (OCoLC)769101877
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|a MdBmJHUP
|c MdBmJHUP
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245 |
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|a Music and Globalization :
|b Critical Encounters /
|c edited by Bob W. White.
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264 |
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1 |
|a Bloomington :
|b Indiana University Press,
|c 2012.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2012
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264 |
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4 |
|c ©2012.
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300 |
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|a 1 online resource (248 pages).
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Tracking globalization
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|a The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin -- My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld -- A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward -- Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael Jose de Menezes Bastos -- "Beautiful blue" : Rarámuri violin music in a cross-border space / Daniel Noveck -- World music producers and the cuban frontier / Ariana Hernandez-Reguant -- Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain -- Slave ship on the infosea : contaminating the system of circulation / Barbara Browning -- World music of today / Timothy D. Taylor -- The promise of world music : strategies for non-essentialist listening / Bob W. White.
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520 |
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|a "World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Kultur och globalisering.
|2 sao
|
650 |
|
7 |
|a Musik och samhälle.
|2 sao
|
650 |
|
7 |
|a World music.
|2 fast
|0 (OCoLC)fst01181375
|
650 |
|
7 |
|a Music and globalization.
|2 fast
|0 (OCoLC)fst01030477
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650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
|
650 |
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6 |
|a Musique et mondialisation.
|
650 |
|
6 |
|a Musiques du monde
|x Histoire et critique.
|
650 |
|
0 |
|a Music and globalization.
|
650 |
|
0 |
|a World music
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
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|a White, Bob W.,
|d 1965-
|e editor.
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/14834/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2012 Complete
|
945 |
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|a Project MUSE - 2012 Global Cultural Studies
|