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001 musev2_14020
003 MdBmJHUP
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006 m o d
007 cr||||||||nn|n
008 120112s2005 wau o 00 0 eng d
020 |a 9780295803173 
020 |z 9780295984889 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Nagappan, Ramu. 
245 1 0 |a Speaking Havoc :   |b Social Suffering and South Asian Narratives /   |c Ramu Nagappan. 
264 1 |a London :  |b University of Washington Press,  |c 2005. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2005. 
300 |a 1 online resource (256 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Literary conjugations 
500 |a Originally published: 2005. 
505 0 |a Acknowledgments; Introduction: Who Owns Suffering? ; 1. Writing and Redemption; 2. The Argument of Fiction; 3. Murderous Fictions; 4. The Momentary Pleasures of Reconciliation; Coda; Notes; Bibliography; Index. 
520 8 |a Annotation  |b Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text's act of "speaking havoc" rebounds in unsettling ways. Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh's modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie's postmodernist novel Shame (1983), and the "spectacular" films of Maniratnam each bear witness to social violence in South Asia. These works confront squarely the catastrophes and innumerable minor tragedies that arise from clashes among religious and ethnic communities. Focusing on central events such as the Partition of 1947, the assassination of Indira Gandhi in 1984, and more recent religious conflicts between India and Pakistan, Nagappan demonstrates the differing ways that narratives engage the political violence that has marked the last fifty years of South Asian history. Is it possible to tell fully the stories of those who have died and those who have survived? Can writing really act as a counter to silence? In his compassionate engagement with these concerns, Nagappan demonstrates the relevance of literature and literary studies to fundamental sociological, anthropological, and political issues. With its interdisciplinary scope, historical perspective, and lucid style, Speaking Havoc is destined to become a foundational text for scholars of South Asian studies and postcolonial and culturalstudies, and for readers interested in trauma and social suffering as well as in the literature, films, and histories that take this field as their topic. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Suffering in motion pictures.  |2 fast  |0 (OCoLC)fst01137176 
650 7 |a Suffering in literature.  |2 fast  |0 (OCoLC)fst01137175 
650 7 |a South Asian literature.  |2 fast  |0 (OCoLC)fst01127238 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Communalism in literature.  |2 fast  |0 (OCoLC)fst00869874 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 6 |a Souffrance au cinema. 
650 6 |a Communalisme dans la litterature. 
650 6 |a Souffrance dans la litterature. 
650 6 |a Cinema  |z Inde  |x Histoire. 
650 6 |a Litterature sud-asiatique  |y 20e siecle  |x Histoire et critique. 
650 0 |a Suffering in motion pictures. 
650 0 |a Communalism in literature. 
650 0 |a Suffering in literature. 
650 0 |a Motion pictures  |z India  |x History. 
650 0 |a South Asian literature  |y 20th century  |x History and criticism. 
651 7 |a India.  |2 fast  |0 (OCoLC)fst01210276 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/14020/ 
945 |a Project MUSE - Custom Collection