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120416s2012 iau o 00 0 eng d |
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|a 9781609381059
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|z 9781609380892
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|a (OCoLC)785811725
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|a MdBmJHUP
|c MdBmJHUP
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|a Talbot, Jill.
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|a Metawritings :
|b Toward a Theory of Nonfiction
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|a Iowa City :
|b University of Iowa Press,
|c 2012.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2012
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|c ©2012.
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|a 1 online resource (247 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Acknowledgments; Pam Houston -- Prologue: Corn Maze; Jill Talbot -- Meta-Introduction; Ryan Van Meter -- I Was There; Interview with Ryan Van Meter; Cathy Day -- Genesis; or the Day Adam Killed the Snakes; Interview with Cathy Day; Anonymous -- The Facts of the Matter; Interview with Anonymous; Sarah Blackman -- The Girl Is a Fiction; Interview with Sarah Blackman; David Lazar -- On Dating; Interview with David Lazar; Brenda Miller -- The Dog at the Edge of the World; Interview with Brenda Miller; Ander Monson -- Facing the Monolith; Interview with Ander Monson.
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|a Robin Hemley -- The Pickpocket Project; Interview with Robin Hemley; Lena Dunham -- Excerpts from Creative Nonfiction; Interview with Lena Dunham; Bernard Cooper -- Winner Take Nothing; Interview with Bernard Cooper; Brian Oliu -- Adventure Island; Interview with Brian Oliu; Kristen Iversen -- How to Be Tough in Creative Nonfiction; Interview with Kristen Iversen; Contributors; Permissions; Index.
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|a Metawriting - the writing about writing or writing that calls attention to itself as writing - has been around since Don Quixote and Tristram Shandy, but Jill Talbot makes that case that now more than ever the act of metawriting is performed on a daily basis by anyone with a Facebook profile, a Twitter account, or a webpage. Metawritings: Toward a Theory of Nonfiction is the first collection to combine metawriting in both fiction and nonfiction. In this daring volume, metawriting refers to writing about writing, veracity in writing, the I of writing and, ultimately, the construction o.
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|a Description based on print version record.
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650 |
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7 |
|a Autor
|2 gnd
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650 |
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7 |
|a Metaästhetik
|2 gnd
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650 |
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7 |
|a Nichtfiktionale Prosa
|2 gnd
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650 |
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7 |
|a Authorship
|2 fast
|0 (OCoLC)fst00822442
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650 |
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7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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7 |
|a REFERENCE
|x Writing Skills.
|2 bisacsh
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650 |
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7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Rhetoric.
|2 bisacsh
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650 |
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7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
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650 |
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6 |
|a Art d'ecrire
|v Anthologies.
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650 |
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|a Authorship
|v Literary collections.
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650 |
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0 |
|a Creative nonfiction
|x Authorship.
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655 |
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7 |
|a Literary collections.
|2 fast
|0 (OCoLC)fst01423811
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/13978/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2012 Complete
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945 |
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|a Project MUSE - 2012 Literature
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