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100426s2010 inu o 00 0 eng d |
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|z 2010017294
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|a 9780253004871
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|z 025300487X
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|z 9780253355560
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|a (OCoLC)694729256
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|a MdBmJHUP
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|a PN1995.9.D6
|b N539 2010
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|a 070.1/8
|2 22
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| 100 |
1 |
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|a Nichols, Bill,
|d 1942-
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| 245 |
1 |
0 |
|a Introduction to Documentary, Second Edition /
|c Bill Nichols.
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| 250 |
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|a 2nd ed.
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| 264 |
|
1 |
|a Bloomington :
|b Indiana University Press,
|c 2010.
|
| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2012
|
| 264 |
|
4 |
|c ©2010.
|
| 300 |
|
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|a 1 online resource (368 pages):
|b ill. ;
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references, filmography and index.
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| 505 |
0 |
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|a Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
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| 588 |
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|a Description based on print version record.
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| 650 |
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0 |
|a Documentary films
|x History and criticism.
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/1388/
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| 945 |
|
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|a Project MUSE - Custom Collection
|
| 945 |
|
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|a Project MUSE - 2010 Film, Theater and Performing Arts
|
| 945 |
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|a Project MUSE - 2010 Complete
|
