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Structure, Audience and Soft Power in East Asian Pop Culture /

East Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pa...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chua, Beng Huat
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hong Kong, China : Hong Kong University Press, 2012
Colección:TransAsia : screen cultures.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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100 1 |a Chua, Beng Huat. 
245 1 0 |a Structure, Audience and Soft Power in East Asian Pop Culture /   |c Chua Beng Huat. 
264 1 |a Hong Kong, China :  |b Hong Kong University Press,  |c 2012 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012 
300 |a 1 online resource (208 pages):   |b digital file. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a TransAsia : screen cultures 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (p. [165]-176) and index. 
505 0 |a Preface -- Introduction -- 1. East Asian pop culture : mapping the contours -- 2. Pop culture China -- 3. Taiwan's present/Singapore's past mediated by the Hokkien language -- 4. Placing Singapore in East Asian pop culture -- 5. The structure of identification and distancing in watching East Asian television drama -- 6. Layers of audience communities -- 7. Pop culture as soft power -- Conclusion -- Notes -- References -- Index. 
506 |a Access restricted to authorized users and institutions. 
520 3 |a East Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences' formation and exercise of consumer power and engagement with national politics. 
588 |a Description based on print version record. 
650 0 |a Chinese  |z Foreign countries  |x Intellectual life  |y 21st century. 
650 0 |a Chinese  |z Foreign countries  |x Social life and customs  |y 21st century. 
650 0 |a Culture diffusion  |z East Asia. 
650 0 |a Popular culture  |z Singapore. 
650 0 |a Consumption (Economics)  |z East Asia. 
650 0 |a Popular culture  |z East Asia. 
650 0 |a Mass media and culture  |z East Asia. 
650 0 |a Politics and culture  |z East Asia. 
650 0 |a Mass media  |x Political aspects  |z East Asia. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse. 
776 1 8 |i Print version:  |z 9789888139033 
710 2 |a Project Muse.  |e distributor 
830 0 |a TransAsia : screen cultures. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/13733/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Global Cultural Studies 
945 |a Project MUSE - 2012 Asian and Pacific Studies