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Japanese Cinema Goes Global : Filmworkers' Journeys /

Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tezuka, Yoshiharu
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hong Kong [China] : Hong Kong University Press, 2012
Colección:TransAsia: screen cultures.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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100 1 |a Tezuka, Yoshiharu. 
245 1 0 |a Japanese Cinema Goes Global :   |b Filmworkers' Journeys /   |c Yoshiharu Tezuka. 
264 1 |a Hong Kong [China] :  |b Hong Kong University Press,  |c 2012 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012 
300 |a 1 online resource (256 pages):   |b digital file. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a TransAsia : screen cultures 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (p. [181]-196) and index. 
505 0 |a Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia before globalization -- ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006) -- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism. 
506 |a Access restricted to authorized users and institutions. 
520 |a Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people? 
588 |a Description based on print version record. 
650 0 |a Culture and globalization  |z Japan. 
650 0 |a Motion pictures  |x Social aspects  |z Japan. 
650 0 |a Motion pictures and globalization  |z Japan. 
650 0 |a Motion picture industry  |z Japan  |x History. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse. 
776 1 8 |i Print version:  |z 9888083325  |z 9789888083329 
710 2 |a Project Muse.  |e distributor 
830 0 |a TransAsia: screen cultures. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/12698/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2011 Asian and Pacific Studies 
945 |a Project MUSE - 2011 Complete 
945 |a Project MUSE - 2011 Film, Theater and Performing Arts