Figuring Redemption : Resighting My Self in the Art of Michael Snow /

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"This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kellman, Tila Landon, 1943-
Autor Corporativo: Project Muse
Otros Autores: Snow, Michael, 1929-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Waterloo, Ont. : Wilfrid Laurier University Press, 2010, c2002
Colección:Book collections on Project MUSE.
Temas:
Snow, Michael, > 1929- > Critique et interpretation.
Snow, Michael, > 1929- > Criticism and interpretation.
Perception de soi dans l'art.
Self-perception in art.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9781554582495 
035 |a (OCoLC)794702245 
040 |a MdBmJHUP  |c MdBmJHUP 
050 4 |a N6549.S64  |b K44 2010 
082 0 |a 709/.2  |2 21 
100 1 |a Kellman, Tila Landon,  |d 1943- 
245 1 0 |a Figuring Redemption :   |b Resighting My Self in the Art of Michael Snow /   |c Tila L. Kellman. 
264 1 |a Waterloo, Ont. :  |b Wilfrid Laurier University Press,  |c 2010, c2002 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2010, c2002 
300 |a 1 online resource (222 pages):   |b ill. (some col.), digital file. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (p. 191-195) and index. 
505 0 |a Figuring Redemption: A Theoretical Frame -- The WALKING WOMAN: Field Test -- Framed: The Return of Sight, Squared -- Returns on Self-Effacement: The Self-Portrait -- Figuring the Field: The Machine, the "Garden," My Self -- "See You Later (Au Revoir)," With Love -- Refiguring Redemption: Resighting My Self. 
506 |a Access restricted to authorized users and institutions. 
520 |a "This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist control of the view. However, what if the "who" is addressed from the perspective of the viewer who is looking across a gap created by concrete representation time, place, experience and, perhaps, gender? How then can it remain objective?"--pub. desc. 
588 |a Description based on print version record. 
600 1 6 |a Snow, Michael,  |d 1929-  |x Critique et interpretation. 
600 1 0 |a Snow, Michael,  |d 1929-  |x Criticism and interpretation. 
650 6 |a Perception de soi dans l'art. 
650 0 |a Self-perception in art. 
655 7 |a Electronic books.   |2 local 
700 1 |a Snow, Michael,  |d 1929- 
710 2 |a Project Muse. 
776 1 8 |i Print version:  |z 9780889203990 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/12282/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Foundation 
945 |a Project MUSE - Archive Philosophy and Religion Foundation 

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