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Faith and Fiction : A Theological Critique of the Narrative Strategies of Hugh MacLennan and Morley Callaghan /
Is it possible to write an artistically respectable and theoretically convincing religious novel in a non-religious age? Up to now, there has been no substantial application of theological criticism to the works of Hugh MacLennan and Morley Callaghan, the two most important Canadian novelists before...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Autores Corporativos: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Waterloo, Ont. :
Published for the Canadian Corporation for Studies in Religion = Corporation canadienne des sciences religieuses by Wilfrid Laurier University Press,
1998
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| Colección: | Editions SR ;
23. Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Hugh MacLennan
- Morley Callaghan
- I. A Theoretical Introduction: Faith and Fiction. 1. The Problem of Faith. 2. The Problem of Fiction. 3. Faith and Canadian Fiction: MacLennan and Callaghan
- II. Hugh Maclennan. 1. Introduction. 2. Barometer Rising. 3. Two Solitudes. 4. The Precipice. 5. Each Man's Son. 6. The Watch That Ends the Night. 7. Return of the Sphinx. 8. Voices in Time. 9. Conclusion: "codified theology"
- III. Morley Callaghan. 1. Introduction. 2. Naturalistic novels: Strange Fugitive, It's Never Over, A Broken Journey. 3. Biblical parables: Such Is My Beloved, They Shall Inherit the Earth, More Joy in Heaven. 4. Sinner-saints: The Loved and the Lost, The Many Colored Coat, A Passion in Rome.