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A Nimble Arc : James Van Der Zee and Photography /

"In A Nimble Arc Emilie Boone considers James Van Der Zee's photographic work across the twentieth century-from his early years in Harlem to the moment of the Harlem on my Mind exhibit-to foreground aspects of Black quotidian life. Boone theorizes 'nimble' to describe the ease of...

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Detalles Bibliográficos
Autor principal: Boone, Emilie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Boone, Emilie,  |e author. 
245 1 2 |a A Nimble Arc :   |b James Van Der Zee and Photography /   |c Emilie Boone. 
264 1 |a Durham :  |b Duke University Press,  |c 2023. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2023. 
300 |a 1 online resource:   |b illustrations, maps 
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490 0 |a The visual arts of africa and its diasporas 
505 0 |a To Pivot Lightly: Adding the Vernacular to Art History's Sightline -- "More, Many More": Van Der Zee's World of Harlem Renaissance Studio Photographers -- The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora -- A Reframing of Value: Van Der Zee's Restoration Work of the 1940s and Beyond -- Black Quotidian Experiences: Revisiting the Met's Harlem on My Mind exhibition of 1969 -- Coda. To Nimbly Rewind. 
520 |a "In A Nimble Arc Emilie Boone considers James Van Der Zee's photographic work across the twentieth century-from his early years in Harlem to the moment of the Harlem on my Mind exhibit-to foreground aspects of Black quotidian life. Boone theorizes 'nimble' to describe the ease of movement with which one must transition between art history and vernacular photography when considering Van Der Zee and his work. While Van Der Zee is lauded for his role in the Harlem Renaissance and his late-career portrait of Jean-Michel Basquiat, his studio played a major role in the Black community for decades, photographing ordinary people and events in ways that have been mostly overlooked. Boone's account recasts our understanding not only of this canonical figure, but of photography in Black life more generally"--  |c Provided by publisher. African american. 
588 |a Description based on print version record. 
600 1 7 |a Van Der Zee, James,  |d 1886-1983.  |2 fast  |0 (OCoLC)fst00015533 
600 1 0 |a Van Der Zee, James,  |d 1886-1983. 
650 7 |a Portrait photography.  |2 fast  |0 (OCoLC)fst01072259 
650 7 |a Portrait photographers.  |2 fast  |0 (OCoLC)fst01072258 
650 7 |a Photography, Artistic.  |2 fast  |0 (OCoLC)fst01061964 
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650 7 |a African American photographers.  |2 fast  |0 (OCoLC)fst00799297 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies.  |2 bisacsh 
650 7 |a PHOTOGRAPHY / Individual Photographers / General.  |2 bisacsh 
650 0 |a Portrait photographers  |z United States  |v Biography. 
650 0 |a African American photographers  |z United States  |v Biography. 
650 0 |a Harlem Renaissance. 
650 0 |a Portrait photography. 
650 0 |a Photography, Artistic. 
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651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
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