The Portuguese Restoration of 1640 and Its Global Visualization : Political Iconography and Transcultural Negotiation /

The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, em...

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Detalles Bibliográficos
Autor principal: Krass, Urte (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam Amsterdam University Press
Colección:Book collections on Project MUSE.
Temas:
Material culture.
Prints and printmaking.
Paintings and painting.
HISTORY / Europe / Spain & Portugal.
HISTORY / Renaissance.
ART / History / Renaissance.
History of art and design styles: c 1400 to c 1600.
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Krass, Urte  |e author. 
245 1 4 |a The Portuguese Restoration of 1640 and Its Global Visualization :   |b Political Iconography and Transcultural Negotiation /   |c Urte Krass. 
264 1 |a Amsterdam  |b Amsterdam University Press 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
300 |a 1 online resource:   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Visual and Material Culture, 1300-1700 
500 |a Introduction I. Signs, Miracles, and Conspiratorial Images II.The Lisbon Miracle of the Crucifix (1 December 1640) III. The New King's Oath (15 December 1640) IV. Acclamations V. Lisbon VI. Images in Diplomatic Service VII. The Imaculada as Portugal's Patroness VIII. The Funeral Apparatus of John IV (November 1656) IX. The Drawings in the Treatise of António de São Tiago (Goa 1659) X. Ivory Good Shepherds as Visualizations of the Portuguese Restoration Conclusion Bibliography Acknowledgements Picture Credits Index 
500 |a "Amsterdam University Press" 
520 |a The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies. 
588 |a Description based on print version record. 
650 7 |a Material culture.  |2 thema 
650 7 |a Prints and printmaking.  |2 thema 
650 7 |a Paintings and painting.  |2 thema 
650 7 |a HISTORY / Europe / Spain & Portugal.  |2 bisacsh 
650 7 |a HISTORY / Renaissance.  |2 bisacsh 
650 7 |a ART / History / Renaissance.  |2 bisacsh 
650 7 |a Material culture.  |2 bicssc 
650 7 |a History of art and design styles: c 1400 to c 1600.  |2 bicssc 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/112799/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Complete 
945 |a Project MUSE - 2023 History 

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