Probing Arts and Emergent Forms of Life /

"In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Fischer examines the work of key Southeast and East Asian artists within the crucibles of unequal access...

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Detalles Bibliográficos
Autor principal: Fischer, Michael M. J., 1946- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Ethnocentrism in art.
Arts, Asian.
Arts and society.
Anthropology and the arts.
ART / Asian / General.
SOCIAL SCIENCE / Anthropology / Cultural & Social.
Arts and society > Asia.
Asia.
Electronic books.
Acceso en línea:Texto completo

MARC

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245 1 0 |a Probing Arts and Emergent Forms of Life /   |c Michael M.J. Fischer. 
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264 4 |c ©2023. 
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490 0 |a Experimental futures 
505 0 |a Challenging art as cultural systems -- Synthetic realism : postcinema in the Anthropocene -- Feminage, Warang, and the nervous system (hauntology and curation) -- Nomadic video in turbulent sea states : how art becomes critique -- Water notes on rattan strings -- Raw moves and layered communication across the archipelago seas. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Fischer examines the work of key Southeast and East Asian artists within the crucibles of unequal access, geopolitics, the reverberations of past traumas, and emergent new socialities. He outlines how artist-theorists including Entang Wiharso, Sally Smart, Charles Lim, Zai Kuning, and Kiran Kumar speculate on how the world is changing in ways that are attuned to cultivating, repairing, and rethinking the world in the Anthropocene. Their artistic vocabulary not only undoes Western art models and categories; it probes the unfolding future, addresses past trauma, and creates contested, vibrant, and flourishing spaces. Throughout Indonesia, Korea, Singapore, Thailand, and Vietnam, and from Kumar's experimental dance to Kuning's rattan and beeswax ghost ships to Lim's videography of Singapore from the sea, Fischer argues that these artists' theoretical discourses should be privileged over those of the curators, historians, critics, and other gatekeepers who protect and claim art worlds for themselves"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Ethnocentrism in art.  |2 fast  |0 (OCoLC)fst01903158 
650 7 |a Arts, Asian.  |2 fast  |0 (OCoLC)fst00817906 
650 7 |a Arts and society.  |2 fast  |0 (OCoLC)fst00817856 
650 7 |a Anthropology and the arts.  |2 fast  |0 (OCoLC)fst01919302 
650 7 |a ART / Asian / General.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural & Social.  |2 bisacsh 
650 0 |a Ethnocentrism in art. 
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650 0 |a Arts and society  |z Asia. 
650 0 |a Anthropology and the arts. 
651 7 |a Asia.  |2 fast  |0 (OCoLC)fst01240495 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/112637/ 

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