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Dreams in Double Time : On Race, Freedom, and Bebop /

"Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives...

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Detalles Bibliográficos
Autor principal: Leal, Jonathan, 1989- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Leal, Jonathan,  |d 1989-  |e author. 
245 1 0 |a Dreams in Double Time :   |b On Race, Freedom, and Bebop /   |c Jonathan Leal. 
264 1 |a Durham :  |b Duke University Press,  |c 2023. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2023. 
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490 0 |a Refiguring American music 
505 0 |a After-hours -- Layered time -- Quartered notes -- Among others. 
520 |a "Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives: James T. Araki, a Nisei multi-instrumentalist and scholar credited with helping introduce bebop to Japan during the Allied Occupation; Raúl R. Salinas, a Mexican American poet, jazz critic, and activist working against the American criminal justice system who helped document East Austin's rich music histories; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before eventually working as a public servant in Newark's City Hall in response to the uprisings of the late sixties. The book begins with a cultural history of the emergence of bebop in Harlem and then dedicates a chapter to each of these figures, contextualizing their stories and building connections between their stories. Grounded in musical practice, relational study, and personal narrative, Dreams in Double Time offers a powerful and poetic cultural history of communal creativities in the postwar years"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Music and race.  |2 fast  |0 (OCoLC)fst01030486 
650 7 |a Jazz  |x Social aspects.  |2 fast  |0 (OCoLC)fst00982185 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a Intellectual life.  |2 fast  |0 (OCoLC)fst00975769 
650 7 |a Bop (Music)  |2 fast  |0 (OCoLC)fst00836550 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / General.  |2 bisacsh 
650 7 |a MUSIC / Genres & Styles / Jazz.  |2 bisacsh 
650 0 |a Music and race  |z United States  |x History  |y 20th century. 
650 0 |a Jazz  |x Social aspects  |z United States  |x History  |y 20th century. 
650 0 |a Bop (Music)  |x History and criticism. 
650 0 |a Jazz  |z Japan  |x History and criticism. 
650 0 |a Jazz  |x History and criticism. 
600 0 7 |a Raúlrsalinas,  |d 1934-2008.  |2 fast  |0 (OCoLC)fst00064595 
600 1 0 |a Wing, Harold. 
600 0 0 |a Raúlrsalinas,  |d 1934-2008. 
600 1 0 |a Araki, James T. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a New York (State)  |z New York  |z Harlem.  |2 fast  |0 (OCoLC)fst01312318 
651 7 |a Japan.  |2 fast  |0 (OCoLC)fst01204082 
651 0 |a Harlem (New York, N.Y.)  |x Intellectual life  |y 20th century. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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