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221230s2023 inu o 00 0 eng d |
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|z 2022042858
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|a 9780253065193
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|z 9780253065209
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|z 9780253065186
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|z 9780253065179
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|a (OCoLC)1351197181
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Bauman, Richard,
|d 1940-
|e author.
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|a A Most Valuable Medium :
|b The Remediation of Oral Performance on Early Commercial Recordings /
|c Richard Bauman with Patrick Feaster.
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|a Bloomington, Indiana :
|b Indiana University Press,
|c [2023]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©[2023]
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300 |
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|a 1 online resource (238 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a 1. "Come in Here and Hear Them Speak!": Campaign Speeches and Political Publics (with Patrick Feaster) -- 2. "Accordin' to the Gospel of Etymology": Aural Blackface and New African American Poetics -- 3. "We Always Enjoy a Good Story": From Monologue to Audio Theater -- 4. "Talking Machine Storyteller": Cal Stewart and the Remediation of Storytelling -- 5. "Somebody Stole My Tune!": Charles Ross Taggart and Country Communicability -- 6. "I Don't See No Mans": Bridging the Schizophonic Gap -- Discography (by Patrick Feaster)
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|a "Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences-sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this innovative medium of sound recording. He also examines how audiences responded to these modified and commoditized presentations. Featuring audio examples throughout and offering a novel look at the early history of sound recording, A Most Valuable Medium reveals how this new technology effected monumental change in the ways we receive information"--
|c Provided by publisher.
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|a Description based on print version record.
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650 |
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7 |
|a Sound recordings
|x Production and direction.
|2 fast
|0 (OCoLC)fst01127057
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650 |
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7 |
|a Sound
|x Recording and reproducing.
|2 fast
|0 (OCoLC)fst01126957
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650 |
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7 |
|a Oral communication.
|2 fast
|0 (OCoLC)fst01047000
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650 |
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7 |
|a SOCIAL SCIENCE / Anthropology / Cultural & Social.
|2 bisacsh
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650 |
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7 |
|a SOCIAL SCIENCE / Folklore & Mythology.
|2 bisacsh
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650 |
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0 |
|a Sound recordings
|z United States
|x History.
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650 |
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0 |
|a Home entertainment industry
|z United States
|x History.
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Electronic books.
|2 local
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700 |
1 |
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|a Feaster, Patrick,
|d 1971-
|e author.
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2 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/112117/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2023 Complete
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945 |
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|a Project MUSE - 2023 Archaeology and Anthropology
|