Fantasmic Objects : Art and Sociality from Lebanon, 1920-1950 /

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"In Lebanon, the study of modern art-rather than power or hierarchy-has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing o...

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Detalles Bibliográficos
Autor principal: Scheid, Kirsten, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2022]
Colección:Book collections on Project MUSE.
Temas:
Art, Lebanese.
Art and society.
SOCIAL SCIENCE / Anthropology / Cultural
Art and society > Lebanon.
Art, Lebanese > 20th century.
Lebanon.
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Scheid, Kirsten,  |d 1970-  |e author. 
245 1 0 |a Fantasmic Objects :   |b Art and Sociality from Lebanon, 1920-1950 /   |c Kirsten L. Scheid. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2022] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2022] 
300 |a 1 online resource (374 pages):   |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Public cultures of the Middle East and North Africa 
505 0 |a Introduction : No Art Here -- Exhibitions : Sociality as Fantasm -- Nudes : The Citizen as Fantasm -- Landscapes : The Nation as Fantasm -- Art Lessons : Fantasmic Formations of the Lady-Artist -- Portraits : Toward a Fantasmic Ontology of Art Acts -- Conclusion : Between Art and Here. 
520 |a "In Lebanon, the study of modern art-rather than power or hierarchy-has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Art, Lebanese.  |2 fast  |0 (OCoLC)fst00816544 
650 7 |a Art and society.  |2 fast  |0 (OCoLC)fst00815432 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural  |2 bisacsh 
650 0 |a Art and society  |z Lebanon. 
650 0 |a Art, Lebanese  |y 20th century. 
651 7 |a Lebanon.  |2 fast  |0 (OCoLC)fst01206063 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/112112/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Complete 
945 |a Project MUSE - 2023 Art and Architecture 
945 |a Project MUSE - 2023 Middle Eastern Studies 

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