The wood engravers' self-portrait : The Dalziel Archive and Victorian illustration /

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Detalles Bibliográficos
Autor principal: Stevens, Bethan (Bethan Kathleen) (Autor)
Autor Corporativo: Dalziel Brothers
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Dalziel Brothers.
Dalziel Brothers > History.
Wood-engravers.
Illustration of books.
Illustration des livres > Angleterre > 19e siecle.
Graveurs sur bois > Angleterre > Histoire > 19e siecle.
Illustration of books > England > 19th century.
Wood-engravers > England > History > 19th century.
England.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: 1. A wordless memoir: the illustrator as archivist
  • pt. I The Dalziel family and their `woodpecker' employees, 1839
  • 93
  • 2. `The print of [her] feet' (Wordsworth): the wood engravers' self-portrait
  • 3. Ruskin's sinisterity: disjointed hands and brains, and the division of art labour
  • 4. Barnaby Rudge and `the atmosphere of letters' (Craik): apprenticeship, education and employment
  • 5. Ghostwriting the line of the other: Wilkie Collins's After Dark and Dalziel's freelance engravers
  • 6. `This midnight forger' (Trollope): signatures, authorship and relations between engravers and draughtspeople
  • pt. II Medium and technique at Dalziel Brothers
  • 7. `Off with her head!' (Carroll): execution, technical violence and the discipline of visual cultures
  • 8. `These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron
  • 9. `A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen
  • 10. Speed, print, news
  • 11. Conclusion: Greedy rats.

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