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The wood engravers' self-portrait : The Dalziel Archive and Victorian illustration /

Detalles Bibliográficos
Autor principal: Stevens, Bethan (Bethan Kathleen) (Autor)
Autor Corporativo: Dalziel Brothers
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781526156679 
020 |z 9781526156655 
020 |z 9781526156662 
035 |a (OCoLC)1377819548 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Stevens, Bethan  |q (Bethan Kathleen),  |e author. 
245 1 4 |a The wood engravers' self-portrait :   |b The Dalziel Archive and Victorian illustration /   |c Bethan Stevens. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2022. 
300 |a 1 online resource:   |b illustrations (colour) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |a Machine generated contents note:  |g 1.  |t A wordless memoir: the illustrator as archivist --  |g pt. I  |t The Dalziel family and their `woodpecker' employees, 1839 -- 93 --  |g 2.  |t `The print of [her] feet' (Wordsworth): the wood engravers' self-portrait --  |g 3.  |t Ruskin's sinisterity: disjointed hands and brains, and the division of art labour --  |g 4.  |t Barnaby Rudge and `the atmosphere of letters' (Craik): apprenticeship, education and employment --  |g 5.  |t Ghostwriting the line of the other: Wilkie Collins's After Dark and Dalziel's freelance engravers --  |g 6.  |t `This midnight forger' (Trollope): signatures, authorship and relations between engravers and draughtspeople --  |g pt. II  |t Medium and technique at Dalziel Brothers --  |g 7.  |t `Off with her head!' (Carroll): execution, technical violence and the discipline of visual cultures --  |g 8.  |t `These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron --  |g 9.  |t `A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen --  |g 10.  |t Speed, print, news --  |g 11.  |t Conclusion: Greedy rats. 
588 |a Description based on print version record. 
610 2 7 |a Dalziel Brothers.  |2 fast  |0 (OCoLC)fst01976811 
610 2 0 |a Dalziel Brothers  |x History. 
650 7 |a Wood-engravers.  |2 fast  |0 (OCoLC)fst01179539 
650 7 |a Illustration of books.  |2 fast  |0 (OCoLC)fst00967406 
650 6 |a Illustration des livres  |z Angleterre  |y 19e siecle. 
650 6 |a Graveurs sur bois  |z Angleterre  |x Histoire  |y 19e siecle. 
650 0 |a Illustration of books  |z England  |y 19th century. 
650 0 |a Wood-engravers  |z England  |x History  |y 19th century. 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Dalziel Brothers. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/111954/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Annual Backfile - Unpurchased