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Perception and analogy : Poetry, science, and religion in the eighteenth century /

"Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natur...

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Detalles Bibliográficos
Autor principal: Powell, Rosalind (Lecturer in English literature) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781526157058 
020 |z 9781526157041 
020 |z 9781526157034 
035 |a (OCoLC)1281892729 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Powell, Rosalind  |c (Lecturer in English literature),  |e author. 
245 1 0 |a Perception and analogy :   |b Poetry, science, and religion in the eighteenth century /   |c Rosalind Powell. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2021. 
300 |a 1 online resource:   |b illustrations (black and white) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction -- Celestial speculations -- Light, perception, and revelation -- Seeing in colour -- Understanding the eye -- Perception and the body -- Bibliography -- Index. 
520 8 |a "Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natural philosophers. Covering a wealth of literary, theological, and pedagogical texts that engage with astronomy, optics, ophthalmology, and the body, it argues for the significance of analogies for conceptualising and explaining new scientific ideas. As well as identifying their use in religious and topographical poetry, the book addresses how analogies are visible in material culture through objects such as orreries, camera obscuras, and aeolian harps. It makes the vital claim that scientific concepts become intertwined with Christian discourse through reinterpretations of origins and signs, the scope of the created universe, and the limits of embodied knowledge."--Page 4 of cover. 
588 |a Description based on print version record. 
650 7 |a Senses and sensation.  |2 fast  |0 (OCoLC)fst01112562 
650 7 |a Perception.  |2 fast  |0 (OCoLC)fst01057622 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393 
650 7 |a English poetry.  |2 fast  |0 (OCoLC)fst00912278 
650 7 |a Literature and science.  |2 fast  |0 (OCoLC)fst01000093 
650 7 |a Perception in literature.  |2 fast  |0 (OCoLC)fst01057645 
650 7 |a Religion and science.  |2 fast  |0 (OCoLC)fst01093848 
650 7 |a Senses and sensation in literature.  |2 fast  |0 (OCoLC)fst01112595 
650 6 |a Sens et sensations dans la litterature. 
650 6 |a Perception dans la litterature. 
650 6 |a Religion et sciences  |y 18e siecle. 
650 6 |a Litterature et sciences  |y 18e siecle. 
650 6 |a Poesie anglaise  |y 18e siecle. 
650 6 |a Perception. 
650 6 |a Sens et sensations  |x Histoire  |y 18e siecle. 
650 2 |a Perception 
650 0 |a Senses and sensation in literature. 
650 0 |a Perception in literature. 
650 0 |a Religion and science  |y 18th century. 
650 0 |a Literature and science  |y 18th century. 
650 0 |a English poetry  |y 18th century. 
650 0 |a Creation (Literary, artistic, etc.) 
650 0 |a Perception. 
650 0 |a Senses and sensation  |x History  |y 18th century. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/111948/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Annual Backfile - Unpurchased