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230124s2023 ilu o 00 0 eng d |
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|z 2022047674
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|a 9780252054495
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|z 9780252087264
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|z 9780252045127
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|a (OCoLC)1365767495
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|a MdBmJHUP
|c MdBmJHUP
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|a Yamada, Marc,
|e author.
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|a Kore-eda Hirokazu /
|c Marc Yamada.
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|a Urbana :
|b University of Illinois Press,
|c [2023]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©[2023]
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|a 1 online resource:
|b illustrations (black and white) ;
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Contemporary film directors
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|a Machine generated contents note: Acknowledgments -- Shared Spaces of Filmmaking -- Beyond Ozu and Loach: Kore-eda Hirokazu in Japanese and World Cinema -- Nonorganized Labor and Shared Spaces of Collaboration in Kore-eda's Early Documentaries -- Grifter Families and Networks of Exchange in Shoplifters -- Reimagining Masculine Bodies in Hana; Like Father, Like Son; and The Third Murder -- Body Moving: The Dynamics of Placemaking in Our Little Sister, Still Walking, and After the Storm -- Private and Public Bodies of Memory in After Life, The Truth, and Distance -- Interviews with Kore-eda Hirokazu -- Filmography -- Bibliography -- Index .
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|a "Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda's trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker's expanding worldwide appeal"--
|c Provided by publisher.
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|a Description based on print version record.
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|a Koreeda, Hirokazu,
|d 1962-
|2 fast
|0 (OCoLC)fst01513661
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|a Koreeda, Hirokazu,
|d 1962-
|x Criticism and interpretation.
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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|a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts.
|2 bisacsh
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|a PERFORMING ARTS / Film / Direction & Production.
|2 bisacsh
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|a Motion pictures
|z Japan
|x History.
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|a Japan.
|2 fast
|0 (OCoLC)fst01204082
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/111762/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2023 Complete
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945 |
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|a Project MUSE - 2023 Film, Theater and Dance
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|a Project MUSE - 2023 Asian and Pacific Studies
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