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Kore-eda Hirokazu /

"Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same...

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Detalles Bibliográficos
Autor principal: Yamada, Marc (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2023]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Yamada, Marc,  |e author. 
245 1 0 |a Kore-eda Hirokazu /   |c Marc Yamada. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2023] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2023] 
300 |a 1 online resource:   |b illustrations (black and white) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Contemporary film directors 
505 0 |a Machine generated contents note: Acknowledgments -- Shared Spaces of Filmmaking -- Beyond Ozu and Loach: Kore-eda Hirokazu in Japanese and World Cinema -- Nonorganized Labor and Shared Spaces of Collaboration in Kore-eda's Early Documentaries -- Grifter Families and Networks of Exchange in Shoplifters -- Reimagining Masculine Bodies in Hana; Like Father, Like Son; and The Third Murder -- Body Moving: The Dynamics of Placemaking in Our Little Sister, Still Walking, and After the Storm -- Private and Public Bodies of Memory in After Life, The Truth, and Distance -- Interviews with Kore-eda Hirokazu -- Filmography -- Bibliography -- Index . 
520 |a "Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda's trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker's expanding worldwide appeal"--  |c Provided by publisher. 
588 |a Description based on print version record. 
600 1 7 |a Koreeda, Hirokazu,  |d 1962-  |2 fast  |0 (OCoLC)fst01513661 
600 1 0 |a Koreeda, Hirokazu,  |d 1962-  |x Criticism and interpretation. 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film / Direction & Production.  |2 bisacsh 
650 0 |a Motion pictures  |z Japan  |x History. 
651 7 |a Japan.  |2 fast  |0 (OCoLC)fst01204082 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - 2023 Complete 
945 |a Project MUSE - 2023 Film, Theater and Dance 
945 |a Project MUSE - 2023 Asian and Pacific Studies