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Insignificant Things : Amulets and the Art of Survival in the Early Black Atlantic /

"In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Eu...

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Detalles Bibliográficos
Autor principal: Rarey, Matthew Francis (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rarey, Matthew Francis,  |e author. 
245 1 0 |a Insignificant Things :   |b Amulets and the Art of Survival in the Early Black Atlantic /   |c Matthew Francis Rarey. 
264 1 |a Durham :  |b Duke University Press,  |c 2023. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2023. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a The visual arts of Africa and its diasporas 
505 0 |a Introduction: Significance, survival, and silence -- Labels -- Contents -- Markings -- Revolts. 
520 |a "In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as "mandingas," were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early nineteenth-century Brazilian police records, Rarey shows how mandingas functioned as portable archives of their makers' experiences of enslavement, displacement, and diaspora. He presents them as examples of the visual culture of enslavement and critical to conceptualizing Black Atlantic art history. Ultimately, Rarey looks to the archives of transatlantic slavery, which were meant to erase Black life, for objects like the mandingas that were created to protect it"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Art objects, African.  |2 fast  |0 (OCoLC)fst00815703 
650 7 |a Amulets.  |2 fast  |0 (OCoLC)fst00808063 
650 7 |a African diaspora.  |2 fast  |0 (OCoLC)fst00799755 
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650 7 |a ART / History / General.  |2 bisacsh 
650 0 |a African diaspora. 
650 0 |a Material culture  |z Atlantic Ocean Region  |x History  |x Sources. 
650 0 |a Material culture  |z Africa  |x History  |x Sources. 
650 0 |a Black people  |x Material culture  |z Atlantic Ocean Region. 
650 0 |a Ceremonial objects  |z Africa  |x History  |x Sources. 
650 0 |a Art objects, African  |x History. 
650 0 |a Amulets  |z Africa  |x History. 
651 7 |a Atlantic Ocean Region.  |2 fast  |0 (OCoLC)fst01723575 
651 7 |a Africa.  |2 fast  |0 (OCoLC)fst01239509 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/111370/ 
945 |a Project MUSE - Custom Collection