|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_111351 |
003 |
MdBmJHUP |
005 |
20230905054535.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
230321s2023 ne o 00 0 eng d |
020 |
|
|
|a 9789048554829
|
020 |
|
|
|z 9789463726863
|
035 |
|
|
|a (OCoLC)1371971060
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Adams, Sarah
|e author.
|
245 |
1 |
0 |
|a Repertoires of Slavery :
|b Dutch Theater Between Abolitionism and Colonial Subjection, 1770-1810 /
|c Sarah Adams.
|
264 |
|
1 |
|a Amsterdam
|b Amsterdam University Press
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2023
|
300 |
|
|
|a 1 online resource:
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
500 |
|
|
|a Acknowledgements List of Figures Table of Content 0. Introduction 1. Dutch Politics, the Slavery-Based Economy, and Theatrical Culture in 1800 2. Suffering Victims: Slavery, Sympathy, and White Self-Glorification 3. Contented Fools: Ridiculing and Re-Commercializing Slavery 4. Black Rebels: Slavery, Human Rights, and the Legitimacy of Resistance 5. Conclusions Bibliography Consulted Archives, Collections, and Databases Literature Appendix
|
500 |
|
|
|a "Amsterdam University Press"
|
520 |
|
|
|a Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, <cite>Repertoires of Slavery</cite> prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan-and at times a specifically Dutch-identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Slavery and abolition of slavery.
|2 thema
|
650 |
|
7 |
|a Ethnic studies.
|2 thema
|
650 |
|
7 |
|a Plays, playscripts.
|2 thema
|
650 |
|
7 |
|a POLITICAL SCIENCE / Colonialism & Post-Colonialism.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM / European / General.
|2 bisacsh
|
650 |
|
7 |
|a HISTORY / Caribbean & West Indies / General.
|2 bisacsh
|
650 |
|
7 |
|a Colonialism and imperialism.
|2 bicssc
|
650 |
|
7 |
|a Plays, playscripts.
|2 bicssc
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/111351/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2023 Complete
|
945 |
|
|
|a Project MUSE - 2023 History
|
945 |
|
|
|a Project MUSE - 2023 African Studies
|