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Performing Arts and Gender in Postcolonial Western Uganda /

"Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in Western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its differe...

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Detalles Bibliográficos
Autor principal: Cimardi, Linda (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester : University of Rochester Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781805430643 
035 |a (OCoLC)1378737535 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Cimardi, Linda,  |e author. 
245 1 0 |a Performing Arts and Gender in Postcolonial Western Uganda /   |c Linda Cimardi. 
264 1 |a Rochester :  |b University of Rochester Press,  |c 2023. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2023. 
300 |a 1 online resource (288 pages):   |b illustrations (black and white) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Eastman/Rochester studies in ethnomusicology,  |x 2161-0290 ;  |v 14 
505 0 |a "Traditional dance preserves culture and shows people how to behave": Runyege, MDD, and gender -- Singing marriage, Runyege, and labor -- "Women aren't supposed to": instrument playing in the past and today -- Shaking the hips, stamping the feet. The Runyege dance -- Narrating and representing local culture -- Postlude: gendering culture -- Appendix I. Historical recordings from Bunyoro and Tooro -- Appendix II. Glossary of terms in Runyoro-Rutooro -- Author's interviews. 
520 |a "Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in Western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender notion that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Examining traditional arts as both the manifestation and the building blocks of local culture, the book vibrantly depicts the imbrication of Ugandan performing arts with gender and postcolonialism"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Performing arts.  |2 fast  |0 (OCoLC)fst01057887 
650 7 |a Gender identity in music.  |2 fast  |0 (OCoLC)fst00939609 
650 7 |a Gender identity in dance.  |2 fast  |0 (OCoLC)fst00939605 
650 7 |a Ethnomusicology.  |2 fast  |0 (OCoLC)fst00916186 
650 0 |a Gender identity in dance. 
650 0 |a Gender identity in music. 
650 0 |a Performing arts  |z Uganda. 
650 0 |a Ethnomusicology  |z Uganda. 
651 7 |a Uganda.  |2 fast  |0 (OCoLC)fst01210282 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/111028/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Complete 
945 |a Project MUSE - 2023 Gender Studies 
945 |a Project MUSE - 2023 African Studies