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The Florida Room /

"In The Florida Room Alexandra T. Vazquez listens to the music and history of Miami to offer a lush story of place and people, movement and memory, dispossession and survival. She transforms the "Florida room"-an actual architectural phenomenon-into a vibrant spatial imaginary for Mia...

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Detalles Bibliográficos
Autor principal: Vazquez, Alexandra T., 1976- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Vazquez, Alexandra T.,  |d 1976-  |e author. 
245 1 4 |a The Florida Room /   |c Alexandra T. Vazquez. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2022. 
300 |a 1 online resource:   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Head for the Beach -- The Florida Room -- Miami from the Spoils -- Drums Take Time -- Bass Is the Place. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "In The Florida Room Alexandra T. Vazquez listens to the music and history of Miami to offer a lush story of place and people, movement and memory, dispossession and survival. She transforms the "Florida room"-an actual architectural phenomenon-into a vibrant spatial imaginary for Miami's musical cultures and everyday life. Drawing on songs, ephemera, and oral histories from artists, families, and inheritors of their traditions, Vazquez hears Miami as a city that has long been shaped by Indigenous Florida, the Bahamas, the Caribbean, and southern Georgia. She draws connections between seemingly disparate artists, sounds, and stories, from singer Gwen McCrae to pirate radio innovator DJ Uncle Al, from the Miccosukee rock band Tiger Tiger to the Cuban-American songwriter Desmond Child, among the percussionists Dafnis Prieto, Obed Calvaire, and Yosvany Terry, and through the notes of Eloise Lewis, Betty Wright, and the Miami Bass group Anquette. By listening to musical collaborations and ancestral ties across place and time, Vazquez brings together formal musical details, the histories of people and locations they hold, and the aesthetic traditions transformed inside them"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Music and history.  |2 fast  |0 (OCoLC)fst01736409 
650 7 |a Music.  |2 fast  |0 (OCoLC)fst01030269 
650 7 |a Intellectual life.  |2 fast  |0 (OCoLC)fst00975769 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies.  |2 bisacsh 
650 6 |a Musique et histoire  |z Floride  |z Miami. 
650 6 |a Musique  |x Aspect social  |z Floride  |z Miami. 
650 6 |a Musique  |z Floride  |z Miami  |x Histoire et critique. 
650 0 |a Music and history  |z Florida  |z Miami. 
650 0 |a Music  |x Social aspects  |z Florida  |z Miami. 
650 0 |a Music  |z Florida  |z Miami  |x History and criticism. 
651 7 |a Florida  |z Miami.  |2 fast  |0 (OCoLC)fst01213727 
651 0 |a Miami (Fla.)  |x History. 
651 0 |a Miami (Fla.)  |x Intellectual life. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/110793/