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The Regional Production of Red Figure Pottery : Greece, Manga Graecia and Etruria /

"In the latter part of the fifth century BC, regional red-figure productions were established outside Attica in regional Greece and in the western Mediterranean, propelled by the impact of the art of Attic vase-painting. This collection of papers addresses key issues posed by these production c...

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Detalles Bibliográficos
Otros Autores: Sabetai, Victoria (Editor ), Schierup, Stine (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Aarhus : Aarhus University Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
245 0 4 |a The Regional Production of Red Figure Pottery :   |b Greece, Manga Graecia and Etruria /   |c edited by Stine Schierup & Victoria Sabetai. 
264 1 |a Aarhus :  |b Aarhus University Press,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2014] 
300 |a 1 online resource (358 pages):   |b illustrations (chiefly color), maps (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Gösta Enbom Monographs ;  |v 4 
505 0 0 |g Preface /  |r Per Kristian Madsen --  |g Introduction /  |r Victoria Sabetai & Stine Schierup --  |t Sacrifice, athletics, departures and the Dionysiac Thiasos in the Boeotian city of images /  |r Victoria Sabetai --  |t A new red-figure Kantharos by the Argos painter: contextual study of the pottery from the grave of a young aristocrat at Haliartos, Boeotia /  |r Kyriaki Kalliga --  |t Red-figure and its relationship to the black-figure technique in late classical Boeotia: the case of the Boeotian Kalathos-pyxis and the bilingual vases /  |r Alexandra Zampiti --  |t An assortment of bridal images on a Boeotian red-figure Pyxis from the workshop of the painter of the great Athenian Kantharos /  |r Christina Avronidaki --  |t Corinthian red-figure pottery: a brief survey /  |r Ian McPhee --  |t Red-figure and white-ground pottery from Euboean workshops /  |r Kristine Gex --  |t Laconian red-figure pottery: local production and use /  |r Jutta Stroszeck --  |t Red-figure pottery of Ambracia in north-western Greece /  |r Anthi Aggeli --  |t Local red-figure pottery from the Macedonian kingdom: the Pella workshop /  |r Nikos Akamatis --  |t Patterns of use in early Mesopontine red-figure pottery: distribution, shapes and iconography /  |r Stine Schierup --  |t The early phases of Apulian red-figure /  |r E.G.D. Robinson --  |t Sicilian red-figure vase-painting: the beginning, the end /  |r Sebastiano Barresi --  |t The beginnings of Sicilian red-figured pottery and its relationship with early south Italian productions: a reappraisal through the case-study of the Himera painter workshop /  |r Marco Serino --  |t From imported attic vases to the first regional productions in Sicily: the example of Megara Hyblaea in the fifth and fourth centuries /  |r Claude Pouzadoux & Pierre Rouillard --  |t Local production of red-figure pottery at Locri Epizephyrii: a synthesis on the last decade of studies /  |r Diego Elia --  |t Out of the Tondo: the exterior of the Clusium cups: an iconographical reconsideration /  |r Maurizio Harari with an appendix by Mariachiara Franceschini --  |t Greek in subject matter, etruscan by design: Alcestis and Admetus on an Etruscan red-figure Krater /  |r Lisa C. Pieraccini & Mario A. Del Chiaro. 
520 0 |a "In the latter part of the fifth century BC, regional red-figure productions were established outside Attica in regional Greece and in the western Mediterranean, propelled by the impact of the art of Attic vase-painting. This collection of papers addresses key issues posed by these production centres. Why did they emerge? To what degree was their inception prompted by the emigration of Attic craftsmen in the context of the weakened Attic pottery market at the onset of the Peloponnesian War? How did Attic vase-painting influence already existing ceramic traditions and what was selected, adopted or adapted at the receiving end? Who was using red-figure in mainland Greece and Italy, and what were its particular functions in the local cultures? These and more questions are addressed here with the presentation not only of syntheses, but also primary publication of much newly discovered material. Regional production centres covered includes those of Euboea, Boeotia, Corinth, Laconia, Macedonia, Ambracia, Lucania, Apulia, Sicily, Locri and Etruria"--Back cover 
588 |a Description based on print version record. 
650 7 |a Vases, Red-figured.  |2 fast  |0 (OCoLC)fst01164580 
650 6 |a Vases à figures rouges  |z Italie  |z Étrurie. 
650 6 |a Vases à figures rouges  |z Italie  |z Grande-Grece. 
650 6 |a Vases à figures rouges  |z Grece. 
650 0 |a Vases, Red-figured  |z Italy  |z Etruria. 
650 0 |a Vases, Red-figured  |z Italy  |z Magna Graecia. 
650 0 |a Vases, Red-figured  |z Greece. 
651 7 |a Italy  |z Magna Graecia.  |2 fast  |0 (OCoLC)fst01242392 
651 7 |a Greece.  |2 fast  |0 (OCoLC)fst01208380 
651 7 |a Europe  |z Etruria.  |2 fast  |0 (OCoLC)fst01209231 
655 7 |a Electronic books.   |2 local 
700 1 |a Sabetai, Victoria,  |e editor. 
700 1 |a Schierup, Stine,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/110440/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2023 Annual Backfile - Unpurchased