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Theorizing Colonial Cinema : Reframing Production, Circulation, and Consumption of Film in Asia /
"Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideo...
| Otros Autores: | , , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2022]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- On romanization, naming, and translation
- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan
- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek
- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow
- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang
- World export : melodramas of colonial conquest / Jane M. Gaines
- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen
- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee
- Cinema's coloniality / Takushi Odagiri
- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / Jose B. Capino
- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon.