Bloodstained Narratives : The Giallo Film in Italy and Abroad /

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"The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (...

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Detalles Bibliográficos
Otros Autores: Pagnoni Berns, Fernando Gabriel, 1975- (Editor ), Edwards, Matthew, 1978- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, 2023.
Colección:Book collections on Project MUSE.
Temas:
Sex role in motion pictures.
Detective and mystery films > History and criticism.
Slasher films > History and criticism.
Horror films > History and criticism.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgments
  • Introduction: Argentina, the Onetti brothers, and the resurgence of giallo / Fernando Gabriel Pagnoni Berns and Matthew Edwards
  • Chapter 1: The killer's eye: giallo and the zoom lens / Brian Brems
  • Chapter 2: Argento's evil eye: movements, containments, and the giallo's possessive gaze / Émilie von Garan
  • Chapter 3: Death laid an egg: a giallo out of far-left field / Donald L. Anderson
  • Chapter 5: The analog of self-authenticity within "The forbidden photos of a lady above suspicion / Gavin F. Hurley
  • Chapter 6: Beyond interesting: the affective complexity of Barbara Bouchet in "Don't torture a duckling / Eric Brinkman
  • Chapter 7: "A white dress for Mariale": an interview with director Romano Scavolini / Matthew Edwards
  • Chapter 8: "Watch me when I kill" and "The bloodstained shadow": an interview with director Antonio Bido / Matthew Edwards
  • Chapter 9: A kinder capitalism: elements of the giallo in Hong Kong New Wave Cinema / Andrew Grossman
  • Chapter 10: "But illusions don't kill": an examination of giallo tropes and gender in Satoshi Kon's "Perfect blue" / Sean Woodard
  • Chapter 11: "This is no longer a metaphor but a demonstration": the red of blood in "The strange color of your body's tears / Sharon Jane Mee
  • Chapter 12: Almodóvar meets gay porn meets giallo: rewriting Argento's "L'uccello dale piume di cristallo in Un couteau dans le Coeur" / Fernando Gabriel Pagnoni Berns
  • Chapter 13: Warped nests: domestic architecture, transgressive female bodies, and the dissolution of the patriarchal domain in 1970s American gialli./ Brenda S. Gardenour Walter
  • Chapter 14: "Beauty is the only thing": sex and fantasy in American giallo cinema / Connor John Warden
  • Chapter 15: The Canadian giallo, or how the Italian thriller influenced the Canadian slasher film / Mikel J. Koven
  • About the contributors
  • Index.

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