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Logic of Experimentation : Reshaping Music Performance in and through Artistic Research /
Beyond interpretation: a proposal for experimental performance practices.0'Logic of Experimentation' offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and expo...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven (BE) :
Leuven University Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Assis, Paulo de, |e author. | |
| 245 | 1 | 0 | |a Logic of Experimentation : |b Reshaping Music Performance in and through Artistic Research / |c Paulo de Assis. |
| 264 | 1 | |a Leuven (BE) : |b Leuven University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©[2018] | |
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| 490 | 0 | |a Orpheus Institute series | |
| 520 | 8 | |a Beyond interpretation: a proposal for experimental performance practices.0'Logic of Experimentation' offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance - be it mainstream or historically informed performance practices - 'Logic of Experimentation' creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. | |
| 588 | |a Description based on print version record. | ||
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| 650 | 6 | |a Musique |x Execution. | |
| 650 | 0 | |a Music |x Performance. | |
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