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Contemporary Photography in France : Between Theory and Practice
An innovativestudy of contemporary photography in France This compelling publication traces the broad arc of photography's developmentin France from the 1970s to the present day. A decade-by-decade account revealsunexpected points of convergence between practices that are not usuallyconsidered...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2022.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 005 | 20230905054347.0 | ||
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| 008 | 221015s2022 xx o 00 0 eng d | ||
| 020 | |a 9789461664891 | ||
| 020 | |z 9789462703445 | ||
| 035 | |a (OCoLC)1347696390 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Smith, Olga. | |
| 245 | 1 | 0 | |a Contemporary Photography in France : |b Between Theory and Practice |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2022. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©2022. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Lieven Gevaert Ser. ; |v v.32 | |
| 500 | |a Jean-François Chevrier and James Lingwood, Une autre objectivite/Another Objectivity (Milano: Idea Books, 1989). Print book, 26.5 × 22.5 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. Jean-François Chevrier and James Lingwood. | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a PhotographyFrance-voorplat -- 9789461664891 -- _GoBack -- Figures -- Plates -- Acknowledgements -- Introduction -- Chapter 1 -- 1970s: Engagement and Subjectivity -- Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France: Documentary and Professional Photography -- Mythologies of the Self: Photography in Artistic Practices -- Chapter 2 -- 1980s: Objectivity in a Dematerialised World -- Jean Baudrillard: The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra | |
| 505 | 0 | |a "The Form Tableau:" Photograph as Object and Picture -- Chapter 3 -- 1990s-2000s: The Future of The Photographic Image -- Jacques Ranciere: Photography as Milieu -- Forms of Resistance and Participation -- After Photography -- Conclusion: -- The Landscapes of France -- Landscape and the National Imaginary -- The DATAR Photographic Mission: Picturing "le territoire des Français" -- The Anthropogenic Landscape: The Environmental Perspective -- A Sense of Belonging: Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography -- Plates -- Bibliography -- Index | |
| 505 | 0 | |a Previously published in the Lieven Gevaert Series -- Raymond Depardon, New York City. Manhattan. 6th avenue. Newspaper Stand, 1981. Gelatin silver print, 20 × 25 cm. Raymond Depardon/ Magnum Photos. -- Gilles Peress, Pro-Shariatmadari Demonstration, 1980. Reproduced in Gilles Peress, Telex Persan (Paris: Contrejour, 1984). Print book, 27 × 38 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. Gilles Peress. | |
| 505 | 0 | |a Christine Spengler, Young Revolutionary Guard, 1979. Reproduced in Christine Spengler, Annees de guerre, 1970-2002 (Paris: Marval, 2003). Print book, 23.5 × 30 cm. Collection British Library, London. Photography: author. Christine Spengler. -- Martine Franck, Women's March for Abortion, from Denfert-Rochereau to Champ de Mars, 6 October 1979, 1979. Gelatin silver print, 20 × 25 cm. Martine Franck/ Magnum Photos. | |
| 505 | 0 | |a Gina Pane, Second Project on Silence, 1970. 2 black-and-white photographs mounted on a panel, 95 × 160 cm. Photography: Herve Gloaguen. Courtesy of Anne Marchand and kamel mennour Gallery, Paris. Gina Pane, Adagp, Paris, 2022. -- Sophie Calle, Hotel, 1981. Reproduced in Sophie Calle, L'Hôtel. Ecrit sur l'image (Paris: L'Etoile, 1984), pp. 60-61. Print book. 21.2 × 17.8 cm. Collection British Library, London. Photography: author. Sophie Calle. | |
| 520 | |a An innovativestudy of contemporary photography in France This compelling publication traces the broad arc of photography's developmentin France from the 1970s to the present day. A decade-by-decade account revealsunexpected points of convergence between practices that are not usuallyconsidered in a comparative perspective. These include photographic practicesin contemporary art, documentary, photojournalism, and fashion. Author OlgaSmith sets the. | ||
| 588 | |a Description based on print version record. | ||
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/109341/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2023 Annual Backfile - Unpurchased | ||