Indecent Bodies in Early Modern Visual Culture /

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Detalles Bibliográficos
Autor principal: Jonietz, Fabian
Otros Autores: Stewart, Alison, Richter, Mandy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Table of Contents
  • Indecent Bodies in Early Modern Visual Culture: An Introduction
  • Fabian Jonietz, Mandy Richter, Alison G. Stewart
  • 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe
  • Alison G. Stewart
  • 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht
  • Miriam Hall Kirch
  • 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair
  • Mandy Richter
  • 4. Treating Bodily Impurities: Skin, Art, and Medicine
  • Romana Sammern
  • 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women
  • Bette Talvacchia
  • 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love
  • Ricardo De Mambro Santos
  • 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534)
  • Pia F. Cuneo
  • 8. Indecent Creativity and the Tropes of Human Excreta
  • Fabian Jonietz
  • 9. 'It All Turns to Shit'
  • The Land of Cockaigne in Sixteenth-Century German Woodcuts
  • Susanne Meurer
  • 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains
  • Catherine Emerson
  • Index
  • List of Illustrations
  • Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3
  • 1799
  • Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/.
  • Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliotheque nationale de France, Estampes, Res. Na 255.
  • Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008.
  • Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musee du Louvre, inv. RF 266, RMN-Grand Palais (Musee du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987.
  • Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthisto­risches Museum, inv. Gemäldegalerie, 8299 KHM-Museumsverband.
  • Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879.

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