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221126s2022 ne o 00 0 eng d |
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|a 9789048551774
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|a (OCoLC)1351751959
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|a MdBmJHUP
|c MdBmJHUP
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|a Jonietz, Fabian.
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|a Indecent Bodies in Early Modern Visual Culture /
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|a Amsterdam :
|b Amsterdam University Press,
|c 2022.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©2022.
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|a 1 online resource.
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a Visual and Material Culture, 1300-1700 Ser. ;
|v v.40
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|a Figure 0.7: Albrecht Dürer, Portrait of Willibald Pirckheimer, silverpoint drawing, c. 1503, 21.1 × 15 cm, Berlin, SMB, Kupferstichkabinett, KdZ 24623, Kupferstichkabinett. Staatliche Museen zu Berlin.
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|a Description based upon print version of record.
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|a Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern
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|a 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer
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|a 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliotheque nationale de France, Estampes, Res. Na 255.
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|a Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musee du Louvre, inv. RF 266, RMN-Grand Palais (Musee du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987.
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|a Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879.
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|a Description based on print version record.
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|a Electronic books.
|2 local
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|a Stewart, Alison.
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|a Richter, Mandy.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/109327/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2023 Complete
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|a Project MUSE - 2023 Art and Architecture
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