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230401s2023 xx o 00 0 eng d |
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|a 9789888805211
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|z 9789888805600
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|a (OCoLC)1373988050
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|a MdBmJHUP
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|a He, Qiliang.
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|a Working the System :
|b Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966
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|a HK :
|b Hong Kong University Press,
|c 2023.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©2023.
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|a 1 online resource (180 pages).
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|a text
|b txt
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Crossings: Asian Cinema and Media Culture Series
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|a Description based upon print version of record.
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|a Intro -- Series page -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Wu Xun, Song Jingshi, and Lin Zexu -- 2. From Wu Xun to Lu Xun -- 3. "Putting New Wine into Old Bottles" -- 4. Wu Yonggang -- 5. The Making of Xie Jin in the PRC -- 6. Conclusion -- Bibliography -- Index
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|a In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966, Qiliang He inquired into the making of the new citizenry in Mao-era China (1949-1976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals' subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker's subjectivity was not fixed or stable but constan.
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|a Description based on print version record.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/109262/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2023 Complete
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945 |
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|a Project MUSE - 2023 Film, Theater and Dance
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945 |
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|a Project MUSE - 2023 Asian and Pacific Studies
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