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Working the System : Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966

In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966, Qiliang He inquired into the making of the new citizenry in Mao-era China (1949-1976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals' subje...

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Detalles Bibliográficos
Autor principal: He, Qiliang
Formato: Electrónico eBook
Idioma:Inglés
Publicado: HK : Hong Kong University Press, 2023.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Working the System :   |b Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966 
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490 0 |a Crossings: Asian Cinema and Media Culture Series 
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505 0 |a Intro -- Series page -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Wu Xun, Song Jingshi, and Lin Zexu -- 2. From Wu Xun to Lu Xun -- 3. "Putting New Wine into Old Bottles" -- 4. Wu Yonggang -- 5. The Making of Xie Jin in the PRC -- 6. Conclusion -- Bibliography -- Index 
520 |a In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966, Qiliang He inquired into the making of the new citizenry in Mao-era China (1949-1976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals' subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker's subjectivity was not fixed or stable but constan. 
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856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/109262/ 
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