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Pushkin's Monument and Allusion : Poem, Statue, Performance /

"In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its de...

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Detalles Bibliográficos
Autor principal: Dement, Sidney Eric, 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dement, Sidney Eric,  |d 1978-  |e author. 
245 1 0 |a Pushkin's Monument and Allusion :   |b Poem, Statue, Performance /   |c Sidney Eric Dement. 
264 1 |a Toronto :  |b University of Toronto Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2019] 
300 |a 1 online resource (280 pages). 
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505 0 |a Introduction Dimensions of the Pushkin Monument -- 1. Pushkin's Poem: Monument and Allusion (1811-1836) -- 2. Opekushin's Pushkin Monument: Statue and Performance (1836-1880) -- 3. Bulgakov's Master and Margarita: Crisis of the Future Poet (1880-1937) -- 4. Toporov's Petersburg Text: Rejecting the Statue (1937-2003) -- 5. Tolstaia's Slynx: Disfiguring the Monument (1986-2000) -- Conclusion Allusion and the Naive Reader -- Appendix. 
520 |a "In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin's poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin's Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future."--  |c Provided by publisher 
588 |a Description based on print version record. 
600 1 7 |a Pushkin, Aleksandr Sergeevich,  |d 1799-1837.  |2 fast  |0 (OCoLC)fst00052329 
600 1 0 |a Pushkin, Aleksandr Sergeevich,  |d 1799-1837  |x Criticism and interpretation. 
600 1 0 |a Pushkin, Aleksandr Sergeevich,  |d 1799-1837  |x Allusions. 
600 1 0 |a Pushkin, Aleksandr Sergeevich,  |d 1799-1837  |x Monuments  |z Russia (Federation)  |z Moscow. 
650 7 |a Monuments.  |2 fast  |0 (OCoLC)fst01025892 
650 7 |a Allusions.  |2 fast  |0 (OCoLC)fst00805750 
650 7 |a LITERARY CRITICISM  |x European  |x Eastern.  |2 bisacsh 
651 7 |a Russia (Federation)  |z Moscow.  |2 fast  |0 (OCoLC)fst01205741 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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