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190513s2019 onc o 00 0 eng d |
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|a 9781487532086
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|z 9781487532093
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|z 9781487505356
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|a (OCoLC)1101101121
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|a MdBmJHUP
|c MdBmJHUP
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|a Korneeva, Tatiana,
|e author.
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|a The Dramaturgy of the Spectator :
|b Italian Theatre and the Public Sphere, 1600-1800 /
|c Tatiana Korneeva.
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|a London :
|b University of Toronto Press,
|c [2019]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©[2019]
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300 |
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|a 1 online resource (274 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Toronto Italian studies
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|a Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue.
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|a "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."--
|c Provided by publisher
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Theater audiences
|x Psychology.
|2 fast
|0 (OCoLC)fst01149333
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650 |
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7 |
|a Theater audiences.
|2 fast
|0 (OCoLC)fst01149328
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650 |
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7 |
|a Spectators.
|2 fast
|0 (OCoLC)fst01129051
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650 |
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7 |
|a Italian drama.
|2 fast
|0 (OCoLC)fst00980456
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650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x Italian.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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650 |
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6 |
|a Theâtre italien
|y 18e siecle
|x Histoire et critique.
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650 |
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6 |
|a Theâtre italien
|y Jusqu'à 1700
|x Histoire et critique.
|
650 |
|
6 |
|a Spectateurs
|z Italie
|x Histoire
|y 18e siecle.
|
650 |
|
6 |
|a Spectateurs
|z Italie
|x Histoire
|y 17e siecle.
|
650 |
|
6 |
|a Theâtre
|x Publics
|z Italie
|x Histoire
|y 18e siecle.
|
650 |
|
6 |
|a Theâtre
|x Publics
|z Italie
|x Histoire
|y 17e siecle.
|
650 |
|
0 |
|a Italian drama
|y 18th century
|x History and criticism.
|
650 |
|
0 |
|a Italian drama
|y To 1700
|x History and criticism.
|
650 |
|
0 |
|a Spectators
|z Italy
|x History
|y 18th century.
|
650 |
|
0 |
|a Spectators
|z Italy
|x History
|y 17th century.
|
650 |
|
0 |
|a Theater audiences
|z Italy
|x Psychology
|x History
|y 18th century.
|
650 |
|
0 |
|a Theater audiences
|z Italy
|x Psychology
|x History
|y 17th century.
|
650 |
|
0 |
|a Theater audiences
|z Italy
|x History
|y 18th century.
|
650 |
|
0 |
|a Theater audiences
|z Italy
|x History
|y 17th century.
|
651 |
|
7 |
|a Italy.
|2 fast
|0 (OCoLC)fst01204565
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/108125/
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945 |
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|a Project MUSE - Custom Collection
|