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The Savage and Modern Self : North American Indians in Eighteenth-Century British Literature and Culture /

"The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and a...

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Detalles Bibliográficos
Autor principal: Richardson, Robbie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : University of Toronto Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Richardson, Robbie,  |e author. 
245 1 4 |a The Savage and Modern Self :   |b North American Indians in Eighteenth-Century British Literature and Culture /   |c Robbie Richardson. 
264 1 |a London :  |b University of Toronto Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2018] 
300 |a 1 online resource (264 pages):   |b illustrations 
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505 0 |a Introduction -- Indians and the construction of Britishness in the early eighteenth century -- The indian as cultural critic : shaping the British self -- Captivity narratives and colonialism -- Novel indians: Tsonnonthouan and the commodification of culture -- Becoming Indians : sentiment and the hybrid British subject -- Native North American material culture in the British imaginary -- Conclusion : "pen-and-ink work." 
520 |a "The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity."--Provided by publisher 
588 |a Description based on print version record. 
650 7 |a National characteristics, British, in literature.  |2 fast  |0 (OCoLC)fst01033382 
650 7 |a Indians in literature.  |2 fast  |0 (OCoLC)fst00969419 
650 7 |a English literature.  |2 fast  |0 (OCoLC)fst00911989 
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650 6 |a Britanniques dans la litterature. 
650 0 |a National characteristics, British, in literature. 
650 0 |a English literature  |y 18th century  |x History and criticism. 
650 0 |a Indians in literature. 
655 7 |a Critiques litteraires.  |2 rvmgf 
655 7 |a Literary criticism.  |2 lcgft 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Literary criticism.  |2 fast  |0 (OCoLC)fst01986215 
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945 |a Project MUSE - Custom Collection