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Harlequin in Hogtown : George Luscombe and Toronto Workshop Productions /

The challenge facing the new company, therefore, was how to break through that indifference and make their audiences look at themselves and their country with new eyes. Ideally, what was needed was original Canadian plays ... Until such new works were available, however, Luscombe and his actors woul...

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Detalles Bibliográficos
Autor principal: Carson, Neil
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Buffalo : University of Toronto Press, 1995.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Carson, Neil. 
245 1 0 |a Harlequin in Hogtown :   |b George Luscombe and Toronto Workshop Productions /   |c Neil Carson. 
264 1 |a Buffalo :  |b University of Toronto Press,  |c 1995. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©1995. 
300 |a 1 online resource (276 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a 1. Don Valley Quixote -- 2. Strolling Player -- 3. Building a Company -- 4. Finding a Voice -- 5. Collaborative Creation I: Hey Rube! and The Mechanic -- 6. Adding the Language: Before Compiegne -- 7. Going Professional -- 8. Collaborative Creation II: Woyzeck and The Golem of Venice -- 9. The Search for Audiences -- 10. Political Entertainment: Mr Bones -- 11. Broadway Beckons -- 12. Chronicling the Revolution: Che Guevara -- 13. Collaborative Creation III: Chicago '70 -- 14. The European Repertoire -- 15. New Perspectives -- 16. Old Wine in New Bottles: Ten Lost Years -- 17. The Indignant Muse -- 18. A Vintage Season -- 19. Looking Backward -- 20. New Blood -- 21. Board Games -- 22. Catastrophe Averted -- 23. Harlequin in Hogtown -- 24. Final Act -- 25. Curtain-Call. 
520 8 |a The challenge facing the new company, therefore, was how to break through that indifference and make their audiences look at themselves and their country with new eyes. Ideally, what was needed was original Canadian plays ... Until such new works were available, however, Luscombe and his actors would have to make up their repertoire from the existing stock of world dramatic literature. But instead of treating these 'masterpieces' of bourgeois theatre with the respect normally paid to them, Luscombe intended to follow the example of Vsevolod Meyerhold, Erwin Piscator, Bertolt Brecht, and Joan Littlewood. Those directors had shown how the classics of earlier periods could be made relevant to contemporary audiences. 
520 |a From the beginning, Luscombe envisaged his new company as part of an international contingent of artists determined to further the cause of socialism through art. He saw himself as part of a tradition which sought to bring about change by 'educational' rather than political or revolutionary means ... Unfortunately, Canadian audiences, unlike their counterparts in Russia, Germany, or England, appeared to be stubbornly indifferent to live theatre. 
588 |a Description based on print version record. 
610 2 7 |a Toronto Workshop Productions.  |2 fast  |0 (OCoLC)fst00711079 
610 2 6 |a Toronto Workshop Productions. 
610 2 0 |a Toronto Workshop Productions  |x History. 
600 1 7 |a Luscombe, George.  |2 swd 
600 1 7 |a Luscombe, George,  |d 1926-1999  |2 fast  |0 (OCoLC)fst00363201 
600 1 6 |a Luscombe, George,  |d 1926- 
600 1 0 |a Luscombe, George,  |d 1926-1999. 
650 1 7 |a Toronto Workshop Productions.  |2 gtt 
650 1 7 |a Experimenteel toneel.  |2 gtt 
650 7 |a Experimentelles Theater  |2 gnd 
650 7 |a Experimental theater.  |2 fast  |0 (OCoLC)fst00918508 
650 7 |a DRAMA  |x Canadian.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Theâtre experimental  |z Ontario  |z Toronto. 
650 0 |a Experimental theater  |z Ontario  |z Toronto  |x History. 
651 7 |a Toronto  |2 gnd 
651 7 |a Ontario  |z Toronto.  |2 fast  |0 (OCoLC)fst01205798 
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945 |a Project MUSE - Custom Collection