Reading by Design : The Visual Interfaces of the English Renaissance Book /

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"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manu...

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Detalles Bibliográficos
Autor principal: Reid, Pauline, 1985- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : University of Toronto Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Visual perception.
Literature publishing.
English literature > Early modern.
Early printed books.
Books and reading.
LITERARY CRITICISM > Books & Reading.
LANGUAGE ARTS & DISCIPLINES > Publishing.
Perception visuelle > Histoire > 17e siecle.
Perception visuelle > Histoire > 16e siecle.
Litterature > Édition > Angleterre > 17e siecle.
Litterature > Édition > Angleterre > 16e siecle.
Livres anciens > Angleterre > 17e siecle.
Livres anciens > Angleterre > 16e siecle.
Livres et lecture > Angleterre > Histoire > 17e siecle.
Livres et lecture > Angleterre > Histoire > 16e siecle.
English literature > Early modern, 1500-1700 > History and criticism.
Visual perception > History > 17th century.
Visual perception > History > 16th century.
Literature publishing > England > 17th century.
Literature publishing > England > 16th century.
Early printed books > England > 17th century.
Early printed books > England > 16th century.
Books and reading > England > History > 17th century.
Books and reading > England > History > 16th century.
England.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity
  • 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index

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