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Reading by Design : The Visual Interfaces of the English Renaissance Book /
"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manu...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
University of Toronto Press,
[2019]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_107347 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905054200.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 190408s2019 onc o 00 0 eng d | ||
| 020 | |a 9781487511623 | ||
| 020 | |z 9781487500696 | ||
| 020 | |z 9781487511630 | ||
| 035 | |a (OCoLC)1091899632 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Reid, Pauline, |d 1985- |e author. | |
| 245 | 1 | 0 | |a Reading by Design : |b The Visual Interfaces of the English Renaissance Book / |c Pauline Reid. |
| 264 | 1 | |a London : |b University of Toronto Press, |c [2019] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©[2019] | |
| 300 | |a 1 online resource (304 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity | |
| 505 | 0 | |a 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index | |
| 520 | |a "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- |c Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Visual perception. |2 fast |0 (OCoLC)fst01168049 | |
| 650 | 7 | |a Literature publishing. |2 fast |0 (OCoLC)fst01000111 | |
| 650 | 7 | |a English literature |x Early modern. |2 fast |0 (OCoLC)fst01710960 | |
| 650 | 7 | |a Early printed books. |2 fast |0 (OCoLC)fst00900645 | |
| 650 | 7 | |a Books and reading. |2 fast |0 (OCoLC)fst00836454 | |
| 650 | 7 | |a LITERARY CRITICISM |x Books & Reading. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Publishing. |2 bisacsh | |
| 650 | 6 | |a Perception visuelle |x Histoire |y 17e siecle. | |
| 650 | 6 | |a Perception visuelle |x Histoire |y 16e siecle. | |
| 650 | 6 | |a Litterature |x Édition |z Angleterre |y 17e siecle. | |
| 650 | 6 | |a Litterature |x Édition |z Angleterre |y 16e siecle. | |
| 650 | 6 | |a Livres anciens |z Angleterre |y 17e siecle. | |
| 650 | 6 | |a Livres anciens |z Angleterre |y 16e siecle. | |
| 650 | 6 | |a Livres et lecture |z Angleterre |x Histoire |y 17e siecle. | |
| 650 | 6 | |a Livres et lecture |z Angleterre |x Histoire |y 16e siecle. | |
| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 0 | |a Visual perception |x History |y 17th century. | |
| 650 | 0 | |a Visual perception |x History |y 16th century. | |
| 650 | 0 | |a Literature publishing |z England |y 17th century. | |
| 650 | 0 | |a Literature publishing |z England |y 16th century. | |
| 650 | 0 | |a Early printed books |z England |y 17th century. | |
| 650 | 0 | |a Early printed books |z England |y 16th century. | |
| 650 | 0 | |a Books and reading |z England |x History |y 17th century. | |
| 650 | 0 | |a Books and reading |z England |x History |y 16th century. | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/107347/ |
| 945 | |a Project MUSE - Custom Collection | ||